Intermediate game difficulty

Medium:

Oil on canvas

Dimensions:

24 x 30 1/4 in. (61 x 76.8 cm)

Key Notes:

Serene rural composition, Harmonious color palette.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Landscape with House and Trees by Denman Waldo Ross

Denman Waldo Ross (1853–1935) was an influential figure in the American art scene, known for his contributions as both an artist and a theorist. The painting titled Landscape with House and Trees, created circa 1900, exemplifies his adept use of oil on canvas to capture serene natural settings. Ross's work is characterized by a harmonious composition and a subtle palette, reflecting his deep understanding of color theory. As a professor at Harvard University, Ross significantly impacted the study of art, emphasizing the importance of design principles. His artistic endeavors, including this landscape, are noted for their contribution to the American Impressionist movement. The painting remains a testament to Ross's dual legacy as both a creator and educator in the arts.

Jacques François Carabain

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View of Ghent

Jacques François Carabain

Created:

1860

Movement:

Medium:

Oil on canvas

Dimensions:

22 1/4 x 30 1/4 in. (56.5 x 76.8 cm)

Key Notes:

Urban landscape, Atmospheric perspective.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

View of Ghent by Jacques-François Carabain

View of Ghent, painted in 1860 by Jacques-François Carabain, is an exemplary work of urban landscape art, executed in oil on canvas. Carabain, a Belgian painter born in 1834, was renowned for his detailed cityscapes, capturing the architectural essence and vibrant life of 19th-century European cities. This painting reflects his meticulous attention to detail and his ability to convey the bustling atmosphere of Ghent, a city with rich historical significance. Carabain's work is noted for its precision and the way it documents the urban environment of his time, contributing to the historical understanding of city life in the 1800s. His paintings are valuable records of architectural and cultural history, offering insights into the urban development of European cities during the 19th century. Carabain's legacy is preserved through his detailed and atmospheric depictions of cityscapes, which continue to be appreciated for their historical and artistic value.

Denman Waldo Ross

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Venetian Canal with Bridges

Denman Waldo Ross

Created:

c. 1900

Movement:

Impressionism

Medium:

Oil on canvas

Dimensions:

Key Notes:

Luminous reflections; Architectural harmony.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Venetian Canal with Bridges by Denman Waldo Ross

Venetian Canal with Bridges, created circa 1900 by Denman Waldo Ross, is an exemplary work of oil on canvas that captures the serene beauty of Venice's waterways. Ross, an influential figure in the American art scene, was not only a painter but also a prominent art collector and theorist. His work often reflects his deep understanding of color theory and composition, which he also taught as a professor at Harvard University. This painting is significant for its meticulous attention to detail and its ability to convey the tranquil yet dynamic atmosphere of Venetian canals. Ross's contributions to art education and his role in shaping the collections of major institutions underscore his lasting impact on the art world. The painting remains a testament to his skill in capturing the interplay of light and architecture in urban landscapes.

Vincent van Gogh

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Self-Portrait Dedicated to Paul Gauguin

Vincent van Gogh

Created:

1888

Movement:

Post-Impressionism

Medium:

Oil on canvas

Dimensions:

25 1/4 x 21 1/4 in. (64.1 x 54 cm)

Key Notes:

Intense color palette; Emotional introspection.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Self-Portrait Dedicated to Paul Gauguin by Vincent van Gogh

Vincent van Gogh painted "Self-Portrait Dedicated to Paul Gauguin" in 1888, employing oil on canvas as his medium. This work is significant as it reflects van Gogh's admiration for Gauguin, with whom he shared a complex and tumultuous friendship. The painting is characterized by its bold use of color and expressive brushwork, hallmarks of van Gogh's style that would later influence the development of modern art. During this period, van Gogh was living in Arles, France, where he sought to establish an artists' community with Gauguin. The self-portrait is notable for its introspective quality, capturing van Gogh's psychological state and his aspirations for artistic collaboration. This work is a testament to van Gogh's evolving technique and his desire to connect with fellow artists, which played a crucial role in his artistic journey.

Denman Waldo Ross

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Portrait of a Red-Haired Child

Denman Waldo Ross

Created:

c. 1900

Movement:

Medium:

Oil on canvas

Dimensions:

24 x 20 1/4 in. (61 x 51.4 cm)

Key Notes:

Vibrant Color Palette, Child Portraiture

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Portrait of a Red-Haired Child by Denman Waldo Ross

Denman Waldo Ross (1853–1935) was an influential American painter, collector, and art theorist, known for his contributions to the understanding of color theory and design principles. The painting titled Portrait of a Red-Haired Child, created circa 1900, exemplifies Ross's adept use of oil on canvas to capture the delicate features and vibrant hair of the subject. This work reflects Ross's interest in the interplay of color and light, a theme prevalent in his artistic and theoretical pursuits. Although Ross is primarily recognized for his scholarly contributions, his paintings, such as this portrait, offer insight into his practical application of his theories. The painting holds historical significance as it represents the transitional period in American art where academic traditions began to merge with emerging modernist tendencies. Ross's dual role as an artist and educator at Harvard University further solidified his impact on the American art scene during the late 19th and early 20th centuries.

Road toward the Farm Saint-Siméon, Honfleur

Claude Monet

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Road toward the Farm Saint-Siméon, Honfleur

Claude Monet

Created:

1867

Movement:

Impressionism

Medium:

Oil on canvas

Dimensions:

25 1/4 x 32 1/4 in. (64.1 x 81.9 cm)

Key Notes:

Impressionistic landscape, rural tranquility.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Claude Monet's "Road toward the Farm Saint-Siméon, Honfleur" (1867)

Claude Monet, a pivotal figure in the Impressionist movement, created "Road toward the Farm Saint-Siméon, Honfleur" in 1867 using oil on canvas. This work exemplifies Monet's early exploration of light and atmosphere, which would become central themes in his later works. The painting captures a rural scene with a focus on natural light, indicative of Monet's growing interest in plein air painting. During this period, Monet was associated with the Barbizon School, which influenced his approach to landscape painting. The work reflects Monet's transition from traditional techniques to the innovative style that would define Impressionism. Monet's contributions to art history are significant, as he challenged conventional methods and inspired a new generation of artists to explore the effects of light and color.

Denman Waldo Ross

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Portrait of a Young Man in Suspenders

Denman Waldo Ross

Created:

c. 1900

Movement:

Medium:

Oil on canvas

Dimensions:

Key Notes:

Youthful elegance, Modernist portraiture.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Portrait of a Young Man in Suspenders by Denman Waldo Ross

Denman Waldo Ross (1853–1935) was an influential figure in the American art scene, known for his contributions as a painter, collector, and art theorist. The painting titled Portrait of a Young Man in Suspenders, created circa 1900, exemplifies Ross's adept use of oil on canvas to capture the essence of his subject with a focus on realism and detail. This work reflects the transitional period in American art where traditional portraiture began to incorporate more personal and informal elements. Ross's involvement with the Harvard University art department and the Museum of Fine Arts, Boston, positioned him as a key advocate for the integration of art theory and practice. His paintings, including this portrait, are noted for their meticulous attention to color and form, which were central to his theoretical writings. The piece contributes to the understanding of early 20th-century American portraiture and the evolving role of personal identity in art.

Aldro Thompson Hibbard

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Lake Louise

Aldro Thompson Hibbard

Created:

1924

Movement:

Medium:

Oil on canvas

Dimensions:

30 x 36 1/4 in. (76.2 x 92.1 cm)

Key Notes:

"Serene Landscape" and "Impressionistic Light"

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Lake Louise by Aldro Thompson Hibbard (1924)

Lake Louise, painted by Aldro Thompson Hibbard in 1924, is an exemplary work of early 20th-century American landscape painting. Hibbard, known for his adept use of oil on canvas, captures the serene beauty of the Canadian Rockies with a masterful application of color and light. This painting reflects Hibbard's commitment to plein air painting, a technique he honed during his studies at the Boston Museum School and his travels in Europe. Hibbard's work is significant for its contribution to the American Impressionist movement, particularly in how it conveys the natural splendor of North American landscapes. His paintings, including Lake Louise, are celebrated for their dynamic compositions and atmospheric depth. Hibbard's legacy endures through his influence on subsequent generations of landscape artists and his role in founding the Rockport Art Association in Massachusetts.

Denman Waldo Ross

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Landscape with Meadow and Trees

Denman Waldo Ross

Created:

c. 1900

Movement:

Medium:

Oil on canvas

Dimensions:

24 x 30 1/4 in. (61 x 76.2 cm)

Key Notes:

Lush greenery; Tranquil composition.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Landscape with Meadow and Trees by Denman Waldo Ross

Denman Waldo Ross (1853–1935) was an influential figure in the American art scene, known for his contributions as a painter, art collector, and theorist. His painting, Landscape with Meadow and Trees, created circa 1900, exemplifies his interest in capturing the serene beauty of natural landscapes through the medium of oil on canvas. Ross's work is characterized by its attention to color harmony and compositional balance, reflecting his deep understanding of artistic principles. Although not as widely recognized as some of his contemporaries, Ross's contributions to art theory and education, particularly at Harvard University, have had a lasting impact on the study and appreciation of art. His paintings, including this landscape, offer insight into the aesthetic values of the late 19th and early 20th centuries. Ross's dual role as an artist and educator helped bridge the gap between practical art-making and theoretical discourse.

Denman Waldo Ross

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Profile Portrait of a Boy in Suit and Tie

Denman Waldo Ross

Created:

c. 1900

Movement:

Medium:

Oil on canvas

Dimensions:

Key Notes:

Childhood Elegance

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Profile Portrait of a Boy in Suit and Tie by Denman Waldo Ross

The painting "Profile Portrait of a Boy in Suit and Tie," created circa 1900 by Denman Waldo Ross, exemplifies the artist's adeptness in capturing the subtleties of character and attire through the medium of oil on canvas. Ross, an influential figure in the American art scene, was not only a painter but also a prominent art collector and theorist. His contributions to the field extended beyond his artistic practice, as he was a significant benefactor and lecturer at Harvard University, where he influenced the study and appreciation of art. The portrait reflects the stylistic tendencies of the early 20th century, characterized by a focus on realism and attention to detail. Ross's work is noted for its compositional balance and the delicate rendering of textures, which are evident in this portrait. This painting contributes to the understanding of portraiture during a period of transition in American art, bridging traditional techniques with emerging modernist sensibilities.

Willem van de Velde II

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Entrance to a Dutch Port

Willem van de Velde II

Created:

1670

Movement:

Medium:

Oil on canvas

Dimensions:

25 7/8 x 30 5/8 in. (65.7 x 77.8 cm)

Key Notes:

Maritime Realism, Dutch Golden Age

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Entrance to a Dutch Port by Willem van de Velde II

Entrance to a Dutch Port, painted in 1670 by Willem van de Velde II, is an exemplary work of the Dutch Golden Age, showcasing the artist's mastery in maritime scenes. Van de Velde II, born in 1633, was renowned for his detailed and atmospheric depictions of naval subjects, a skill likely inherited from his father, Willem van de Velde the Elder, who was also a distinguished marine artist. This painting captures the bustling activity and strategic importance of Dutch ports during the 17th century, reflecting the Netherlands' maritime prowess and economic strength. The use of oil on canvas allows for a rich interplay of light and shadow, enhancing the realism and depth of the scene. Van de Velde II's works were highly sought after by collectors and patrons, including the English court, which further solidified his reputation across Europe. His contributions to marine art have left a lasting impact, influencing subsequent generations of artists in this genre.

Adriaen van de Venne

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Group of Men and Horse

Adriaen van de Venne

Created:

unknown

Movement:

Medium:

Oil on panel

Dimensions:

Key Notes:

Rural camaraderie; Equine depiction.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Group of Men and Horse by Adriaen van de Venne

Adriaen van de Venne (1589–1662) was a Dutch Golden Age painter known for his allegorical and genre scenes. The painting titled Group of Men and Horse, created using oil on panel, exemplifies van de Venne's skill in capturing the social and political nuances of his time. Although the exact date of creation is unknown, the work reflects the artist's characteristic use of detailed figures and vibrant color palette. Van de Venne often infused his works with moralistic themes, a common practice among artists of the Dutch Golden Age. His paintings frequently depicted scenes of everyday life, imbued with symbolic meaning, which contributed to the cultural and historical understanding of 17th-century Dutch society. The artist's ability to blend narrative with visual art has left a lasting impact on the study of allegorical painting.

John Frederick Kensett

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Hudson River Scene

John Frederick Kensett

Created:

1857

Movement:

Hudson River School

Medium:

Oil on canvas

Dimensions:

32 x 48 in. (81.3 x 121.9 cm)

Key Notes:

Luminous landscape, Tranquil naturalism

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Hudson River Scene by John Frederick Kensett

Hudson River Scene, painted by John Frederick Kensett in 1857, is an exemplary work of the Hudson River School, a mid-19th century American art movement known for its romantic portrayal of the American landscape. Kensett, a prominent figure in this movement, is celebrated for his luminous and serene depictions of nature, which often emphasize tranquility and the sublime beauty of the natural world. This painting, executed in oil on canvas, reflects Kensett's mastery in capturing the interplay of light and atmosphere, a hallmark of his artistic style. Kensett's work contributed significantly to the appreciation of American landscapes, influencing both contemporary and future generations of artists. His paintings are noted for their meticulous attention to detail and the ability to evoke a sense of peace and reflection. Kensett's legacy endures as a pivotal contributor to American art, particularly through his role in shaping the aesthetic values of the Hudson River School.

Bada Shanren (Zhu Da) 八大山人 (朱耷)

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SUMI ALBUM LEAF OF THREE LOTUS FLOWERS

Bada Shanren (Zhu Da) 八大山人 (朱耷)

Created:

unknown

Movement:

Medium:

Ink on paper

Dimensions:

Key Notes:

Lotus Flowers, Ink Wash

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

SUMI ALBUM LEAF OF THREE LOTUS FLOWERS by Bada Shanren

The painting titled "SUMI ALBUM LEAF OF THREE LOTUS FLOWERS" is a work by the renowned Chinese artist Bada Shanren, also known as Zhu Da. Created using ink on paper, this piece exemplifies the artist's mastery of traditional Chinese ink painting techniques. Bada Shanren was a descendant of the Ming dynasty's imperial family and became a prominent figure in the early Qing dynasty, known for his unique style that combined elements of abstraction and symbolism. His work often reflects a deep connection to nature and a profound sense of personal expression, characteristics that are evident in the delicate rendering of the lotus flowers. The lotus, a symbol of purity and enlightenment in Chinese culture, is a recurring motif in Bada Shanren's oeuvre, highlighting his philosophical and spiritual inclinations. This painting contributes to the understanding of the transition in Chinese art during a period of political upheaval and cultural transformation.

Ignaz Marcel Gaugengigl

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Portrait of Professor Kuno Francke

Ignaz Marcel Gaugengigl

Created:

1910

Movement:

Medium:

Oil on canvas

Dimensions:

30 x 25 1/4 in. (76.2 x 64.1 cm)

Key Notes:

Academic dignity, Realistic portrayal.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Portrait of Professor Kuno Francke by Ignaz Marcel Gaugengigl

The painting "Portrait of Professor Kuno Francke," created in 1910 by Ignaz Marcel Gaugengigl, is an exemplary work of portraiture executed in oil on canvas. Gaugengigl, a German-American artist, was renowned for his meticulous attention to detail and his ability to capture the essence of his subjects. This portrait is significant as it depicts Kuno Francke, a prominent German-American scholar and curator, highlighting the cultural exchange between Germany and the United States during the early 20th century. Gaugengigl's work is characterized by its refined technique and the subtle interplay of light and shadow, which is evident in this portrait. The painting not only serves as a testament to Francke's influence in the academic world but also showcases Gaugengigl's skill in rendering character and intellect through portraiture. This work contributes to the understanding of the cultural and intellectual milieu of the period, reflecting the artist's role in documenting influential figures of his time.

Gustave Moreau

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The Apparition

Gustave Moreau

Created:

1881

Movement:

Symbolism

Medium:

Oil on canvas

Dimensions:

30 1/4 x 22 1/4 in. (76.8 x 56.5 cm)

Key Notes:

Symbolism, Mystical Encounter

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Apparition by Gustave Moreau

The Apparition, painted by Gustave Moreau in 1881, is a quintessential example of the Symbolist movement, characterized by its intricate detail and mystical themes. The work depicts the biblical story of Salome, capturing a moment of intense drama and psychological complexity. Moreau's use of oil on canvas allows for a rich texture and depth, enhancing the ethereal quality of the scene. This painting is significant for its influence on later Symbolist and Surrealist artists, who admired Moreau's ability to convey emotion and narrative through symbolism. Gustave Moreau, a pivotal figure in 19th-century French art, was known for his fascination with mythological and biblical subjects, which he rendered with a unique blend of realism and fantasy. His work, including The Apparition, continues to be celebrated for its visionary approach and contribution to the development of modern art.

Ferdinand Kobell

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Landscape with Travelers

Ferdinand Kobell

Created:

1770

Movement:

Medium:

Oil on canvas

Dimensions:

25 1/4 x 31 1/4 in. (64.1 x 79.4 cm)

Key Notes:

Naturalistic scenery, Human figures in motion.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Landscape with Travelers by Ferdinand Kobell

Ferdinand Kobell (1740–1799) was a German painter and engraver known for his landscapes and topographical views. His painting, Landscape with Travelers, created in 1770, exemplifies his skill in capturing the serene beauty of the natural world through the medium of oil on canvas. Kobell's work is characterized by its meticulous attention to detail and the harmonious composition of natural elements, reflecting the influence of Dutch landscape painting. This piece is significant for its depiction of travelers, which adds a narrative element to the otherwise tranquil scene, inviting viewers to ponder the journey and experiences of the figures within the landscape. Kobell's contributions to landscape painting were instrumental in the development of this genre in Germany during the late 18th century. His works continue to be appreciated for their technical precision and the subtle interplay of light and shadow.

Joseph Badger

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George Whitefield (1714-1770)

Joseph Badger

Created:

unknown

Movement:

Medium:

Oil on canvas

Dimensions:

Key Notes:

Evangelical Portraiture, Dramatic Lighting

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

George Whitefield (1714-1770) by Joseph Badger

The painting "George Whitefield (1714-1770)" by Joseph Badger is an exemplary work of colonial American portraiture, executed in oil on canvas. Joseph Badger, an American artist active in the mid-18th century, is known for his straightforward and honest depictions of his subjects, often capturing the essence of New England's social and religious figures. This portrait of George Whitefield, a prominent evangelist of the Great Awakening, reflects the period's religious fervor and the significant role Whitefield played in shaping American religious life. Badger's work is characterized by its simplicity and directness, which aligns with the Puritan values of his New England clientele. The painting not only serves as a historical document of Whitefield's influence but also highlights Badger's contribution to the development of American portraiture during a formative period in the nation's history. Through his portraits, Badger provides insight into the cultural and religious landscape of colonial America.

Denman Waldo Ross

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Courtyard with Flowering Tree

Denman Waldo Ross

Created:

c. 1900

Movement:

Medium:

Oil on canvas

Dimensions:

30 x 36 1/4 in. (76.2 x 92.1 cm)

Key Notes:

Lush foliage, Tranquil setting.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Denman Waldo Ross: "Courtyard with Flowering Tree" (c. 1900)

"Courtyard with Flowering Tree" by Denman Waldo Ross, created around 1900, is an exemplary work of oil on canvas that reflects the artist's keen interest in color theory and composition. Ross, an influential figure in the American art scene, was not only a painter but also a prominent art collector and theorist. His contributions to the field extended beyond his own artwork, as he was a professor at Harvard University, where he taught design and art history. This painting captures a serene and intimate view of a courtyard, showcasing Ross's ability to blend naturalistic detail with a harmonious color palette. The work is significant for its embodiment of the transitional period in American art, where traditional techniques began to merge with modernist ideas. Ross's legacy is further cemented by his extensive writings on art theory, which have influenced generations of artists and scholars.

George Wesley Bellows

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Cliffs

George Wesley Bellows

Created:

1913

Movement:

Medium:

Oil on canvas

Dimensions:

30 x 36 1/4 in. (76.2 x 92.1 cm)

Key Notes:

Dynamic brushwork, rugged coastal landscape.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

George Wesley Bellows: "Cliffs" (1913)

George Wesley Bellows (1882–1925) was an influential American realist painter, known for his dynamic depictions of urban life and landscapes. The painting titled "Cliffs", created in 1913, exemplifies Bellows' mastery in capturing the raw beauty of nature through the medium of oil on canvas. This work is significant for its bold brushwork and dramatic use of light and shadow, which convey the ruggedness and majesty of the natural landscape. Bellows was associated with the Ashcan School, a movement that sought to portray the everyday realities of American life in the early 20th century. His contributions to American art are notable for their vigorous style and social commentary, which continue to influence artists today. "Cliffs" reflects Bellows' ability to transcend urban themes and explore the sublime aspects of the natural world.

Portrait of a Young Man, after Tintoretto

Denman Waldo Ross

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Portrait of a Young Man, after Tintoretto

Denman Waldo Ross

Created:

c. 1900

Movement:

Medium:

Oil on canvas

Dimensions:

Key Notes:

Renaissance Revival, Introspective Youth

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Portrait of a Young Man, after Tintoretto by Denman Waldo Ross

Denman Waldo Ross (1853–1935) was an influential figure in the American art scene, known for his contributions as an artist, collector, and educator. The painting "Portrait of a Young Man, after Tintoretto," created circa 1900, exemplifies Ross's engagement with the Old Masters, reflecting his admiration for the Venetian painter Jacopo Tintoretto. Executed in oil on canvas, this work demonstrates Ross's skill in capturing the essence of Tintoretto's style while infusing it with his own interpretation. Ross's dedication to studying and emulating historical artworks played a significant role in his teaching methodology at Harvard University, where he influenced a generation of artists and art historians. His work, including this portrait, underscores the importance of historical continuity and the reinterpretation of classical themes in modern art. As a collector, Ross's acquisitions and donations significantly enriched the collections of the Museum of Fine Arts, Boston, further cementing his legacy in the art world.

Henri Rousseau

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The Banks of the Oise

Henri Rousseau

Created:

1901

Movement:

Post-Impressionism

Medium:

Oil on canvas

Dimensions:

25 1/4 x 32 1/4 in. (64.1 x 81.9 cm)

Key Notes:

Lush vegetation; Dreamlike landscape.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Banks of the Oise by Henri Rousseau

The Banks of the Oise, painted by Henri Rousseau in 1901, is an exemplary work of the artist's unique style, characterized by its vivid colors and dreamlike quality. Rousseau, a self-taught artist often associated with the Naïve or Primitive art movement, brought a fresh perspective to the art world with his imaginative landscapes and meticulous attention to detail. This painting, executed in oil on canvas, reflects Rousseau's fascination with nature and his ability to transform ordinary scenes into fantastical visions. Despite facing criticism during his lifetime, Rousseau's work later gained recognition for its influence on avant-garde artists, including Pablo Picasso and the Surrealists. The painting's historical impact lies in its contribution to the development of modern art, challenging traditional techniques and inspiring future generations of artists. Rousseau's legacy endures as a testament to the power of creativity and the importance of embracing one's unique artistic voice.

Denman Waldo Ross

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Edgartown Landscape

Denman Waldo Ross

Created:

c. 1900

Movement:

Medium:

Oil on canvas

Dimensions:

24 x 30 1/4 in. (61 x 76.2 cm)

Key Notes:

Coastal Serenity, Impressionistic Light

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Edgartown Landscape by Denman Waldo Ross

Edgartown Landscape, created circa 1900 by Denman Waldo Ross, is an exemplary work of oil on canvas that captures the serene beauty of the Massachusetts coastal town. Ross, an influential figure in the American art scene, was not only a painter but also a prominent art collector and theorist. His contributions to the field extended beyond his own artistic practice, as he was a professor at Harvard University, where he taught design and art theory. The painting reflects Ross's interest in color theory and composition, elements he emphasized in his teachings. Although not as widely known as some of his contemporaries, Ross's work and theories significantly impacted the development of American art education in the early 20th century. Edgartown Landscape remains a testament to his dedication to capturing the essence of place through careful study and application of color and form.

Bruno Goller

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Playing Girl

Bruno Goller

Created:

unknown

Movement:

Contemporary Art

Medium:

Oil on canvas

Dimensions:

Key Notes:

Childhood innocence, vibrant playfulness.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Playing Girl by Bruno Goller

Playing Girl is an oil on canvas painting by the German artist Bruno Goller, whose work is often characterized by a unique blend of abstraction and figuration. Goller, born in 1901, was a prominent figure in the post-war German art scene, contributing significantly to the development of modern art in the country. His paintings frequently explore themes of innocence and playfulness, as seen in Playing Girl, which captures a sense of youthful exuberance through its composition and color palette. Goller was a member of the artist group "Gruppe 53," which played a crucial role in the revival of avant-garde art in Germany after World War II. His work is noted for its meticulous attention to form and subtle use of color, which together create a distinctive visual language. Goller's influence extends beyond his paintings, as he also served as a professor at the Kunstakademie Düsseldorf, where he mentored a new generation of artists.

General Étienne-Maurice Gérard (1773–1852)

Jacques Louis David

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General Étienne-Maurice Gérard (1773–1852)

Jacques Louis David

Created:

1816

Movement:

Neoclassicism

Medium:

Oil on canvas

Dimensions:

77 5/8 x 53 5/8 in. (197.2 x 136.2 cm)

Key Notes:

Neoclassical Portraiture, Military Grandeur

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

General Étienne-Maurice Gérard (1773–1852) by Jacques-Louis David

The painting "General Étienne-Maurice Gérard (1773–1852)" was created by Jacques-Louis David in 1816 using oil on canvas. This work exemplifies David's mastery in portraiture, capturing the dignified presence of General Gérard, a prominent military figure during the Napoleonic Wars. David, a leading figure of Neoclassicism, was known for his precise technique and ability to convey the grandeur of his subjects. The painting reflects the political and social climate of post-Napoleonic France, as David continued to portray influential figures of his time. Jacques-Louis David's influence extended beyond his lifetime, shaping the development of French art and inspiring future generations of artists. His works remain significant for their historical context and artistic excellence.

The Virgin with the Sleeping Christ Child

Orazio Gentileschi

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The Virgin with the Sleeping Christ Child

Orazio Gentileschi

Created:

unknown

Movement:

Medium:

Oil on canvas

Dimensions:

Key Notes:

Tender maternalism, chiaroscuro illumination.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Virgin with the Sleeping Christ Child by Orazio Gentileschi

The Virgin with the Sleeping Christ Child is an exquisite example of Orazio Gentileschi's mastery in the use of oil on canvas. Gentileschi, an Italian Baroque painter, was known for his elegant compositions and the delicate interplay of light and shadow, which is evident in this work. The painting captures a serene and intimate moment, showcasing the artist's ability to convey emotion and tenderness. Orazio was a contemporary of Caravaggio and was influenced by his dramatic use of chiaroscuro, yet he developed a distinct style characterized by softer, more graceful figures. This work contributes to the understanding of Baroque art's evolution, highlighting the transition from the intense realism of Caravaggio to a more refined and lyrical expression. Gentileschi's influence extended beyond Italy, as he worked in various European courts, spreading the Baroque style across the continent.

William Morris Hunt

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Charles Francis Adams (1807-1886)

William Morris Hunt

Created:

1883

Movement:

Medium:

Oil on canvas

Dimensions:

30 x 25 1/4 in. (76.2 x 64.1 cm)

Key Notes:

Realism, Portraiture

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Charles Francis Adams (1807-1886) by William Morris Hunt

The painting "Charles Francis Adams (1807-1886)" by William Morris Hunt, completed in 1883, is an exemplary work of portraiture in oil on canvas. Hunt, a prominent American artist, was known for his ability to capture the essence of his subjects with a refined and expressive style. This portrait of Charles Francis Adams, a notable diplomat and public figure, reflects Hunt's skill in rendering both the physical likeness and the dignified presence of his sitter. The work holds historical significance as it immortalizes Adams, who played a crucial role in international diplomacy during the American Civil War. Hunt's contribution to American art extends beyond his portraits; he was instrumental in introducing the Barbizon style to the United States, influencing a generation of artists. This painting is a testament to Hunt's mastery and his impact on the development of American portraiture in the late 19th century.

Colonel Mordaunt's Cockfight (after Zoffany)

John Zoffany

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Colonel Mordaunt's Cockfight (after Zoffany)

John Zoffany

Created:

1765

Movement:

Medium:

Oil on canvas

Dimensions:

36 x 48 1/4 in. (91.4 x 122.6 cm)

Key Notes:

Cockfighting, Social Commentary

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Colonel Mordaunt's Cockfight (after Zoffany)

Colonel Mordaunt's Cockfight, created by Johann Zoffany in 1765, is an oil on canvas painting that exemplifies the artist's skill in capturing the social dynamics of British colonial life in India. Zoffany, a German-born painter, was renowned for his ability to depict intricate social scenes with a keen eye for detail and character. This particular work is significant for its portrayal of a cockfight, a popular pastime among British expatriates, and serves as a historical document of colonial leisure activities. The painting is notable for its composition and the way it reflects the cultural interactions between the British and Indian societies during the 18th century. Zoffany's work is often celebrated for its vivid storytelling and the artist's adeptness at rendering complex group scenes. His contributions to art during this period provide valuable insights into the social fabric and cultural exchanges of the time.

Edgar Degas

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Jockey

Edgar Degas

Created:

1866–68

Movement:

Impressionism

Medium:

Graphite with stumping on tan wove paper

Dimensions:

32.7 × 24.7 cm (12 7/8 × 9 3/4 in.)

Key Notes:

Dynamic movement, Equestrian scene

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Edgar Degas' "Jockey" (1866–68)

The painting titled "Jockey" by Edgar Degas, created between 1866 and 1868, exemplifies the artist's keen interest in capturing movement and the dynamism of equestrian subjects. Executed in graphite with stumping on tan wove paper, this work reflects Degas' meticulous draftsmanship and his innovative approach to depicting the human form in motion. Degas, a prominent figure in the Impressionist movement, often explored themes of modern life, and his fascination with horse racing is evident in several of his works. The use of graphite allowed for precise detailing, which was crucial in conveying the energy and tension of the jockeys and their mounts. This piece contributes to Degas' reputation as a master of capturing fleeting moments, a hallmark of his artistic legacy. Degas' exploration of such themes and techniques significantly influenced the trajectory of modern art, particularly in the realm of capturing movement and everyday scenes.

Joseph Lindon Smith

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The Halbardiers, after Carpaccio

Joseph Lindon Smith

Created:

unknown

Movement:

Medium:

Oil on canvas

Dimensions:

Key Notes:

Venetian Guardsmen, Historical Genre Scene

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Halbardiers, after Carpaccio by Joseph Lindon Smith

The Halbardiers, after Carpaccio is an oil on canvas painting by Joseph Lindon Smith, created in an unspecified year. Smith, an American artist born in 1863, was renowned for his dedication to accurately reproducing ancient artworks and artifacts. His work often focused on capturing the essence of historical pieces, reflecting his deep interest in archaeology and history. This particular painting is a study after Vittore Carpaccio, an Italian Renaissance painter known for his detailed narrative style. Smith's rendition pays homage to Carpaccio's attention to detail and composition, showcasing his skill in replicating the grandeur of Renaissance art. The painting contributes to the understanding of how early 20th-century artists engaged with and interpreted the works of their predecessors. Smith's legacy is marked by his ability to bridge the gap between ancient art and contemporary audiences, making historical art accessible and appreciated in modern times.

Denman Waldo Ross

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Market Scene

Denman Waldo Ross

Created:

c. 1900

Movement:

Medium:

Oil on canvas

Dimensions:

Key Notes:

Vibrant Color Palette, Dynamic Composition

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Market Scene by Denman Waldo Ross

Market Scene, created circa 1900 by Denman Waldo Ross, is an exemplary work of oil on canvas that reflects the artist's keen interest in capturing everyday life. Ross, an influential figure in the American art scene, was not only a painter but also a prominent art collector and theorist. His contributions to the field extended beyond his own artistic practice, as he was a professor at Harvard University, where he influenced a generation of artists and art historians. The painting itself is notable for its detailed depiction of a bustling market, showcasing Ross's skill in rendering complex scenes with clarity and vibrancy. This work is significant for its representation of early 20th-century American life and its contribution to the genre of genre painting. Ross's legacy is further cemented by his extensive writings on art theory, which continue to be referenced in academic circles today.

Mrs. Alexander Goodlet Cumnock (1838-1920)

Ernest Ludvig Ipsen

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Mrs. Alexander Goodlet Cumnock (1838-1920)

Ernest Ludvig Ipsen

Created:

unknown

Movement:

Medium:

Oil on canvas

Dimensions:

Key Notes:

Portraiture and Edwardian Elegance.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Mrs. Alexander Goodlet Cumnock (1838-1920) by Ernest Ludvig Ipsen

The painting "Mrs. Alexander Goodlet Cumnock (1838-1920)" by Ernest Ludvig Ipsen is an exemplary work of portraiture executed in oil on canvas. Ipsen, a Danish-American artist, was renowned for his ability to capture the essence and character of his subjects, which is evident in this particular piece. The portrait reflects the artist's adept skill in rendering texture and detail, contributing to the lifelike representation of Mrs. Cumnock. Ipsen's work is significant in the context of early 20th-century American portraiture, as he was a prominent figure in the Boston art scene. His portraits often depicted notable figures of the time, thereby preserving their likenesses for posterity. The painting not only serves as a testament to Ipsen's artistic prowess but also provides insight into the social and cultural milieu of the era.

Nakajima Raishō 中島来章

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View of Uji

Nakajima Raishō 中島来章

Created:

unknown

Movement:

Medium:

Ink on paper

Dimensions:

Key Notes:

Serene Landscape, Atmospheric Perspective

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

View of Uji by Nakajima Raishō

"View of Uji" is a notable work by the Japanese artist Nakajima Raishō, executed in ink on paper. This painting captures the serene landscape of Uji, a location renowned for its scenic beauty and historical significance in Japan. Raishō's use of ink demonstrates a mastery of traditional Japanese painting techniques, emphasizing subtle gradations and delicate brushwork. The work reflects the Edo period's aesthetic values, where nature and tranquility were central themes. Nakajima Raishō, active during the late Edo period, was known for his landscape paintings that often depicted famous sites across Japan. His contributions to Japanese art are significant, as they offer insight into the cultural and artistic milieu of his time.

Portrait of a Seated Man with Hands Clasped

Denman Waldo Ross

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Portrait of a Seated Man with Hands Clasped

Denman Waldo Ross

Created:

c. 1900

Movement:

Medium:

Oil on canvas

Dimensions:

30 x 25 1/4 in. (76.2 x 64.1 cm)

Key Notes:

Introspective posture, muted color palette.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Portrait of a Seated Man with Hands Clasped by Denman Waldo Ross

Denman Waldo Ross (1853–1935) was an influential figure in the American art scene, known for his contributions as an artist, collector, and educator. The painting titled Portrait of a Seated Man with Hands Clasped, created circa 1900, exemplifies Ross's adept use of oil on canvas to capture the introspective nature of his subject. This work reflects the artist's interest in the psychological depth and character of his sitters, a common theme in portraiture of the period. Ross's involvement with the Harvard University art department and the Museum of Fine Arts, Boston, underscores his impact on the development of art education and appreciation in the United States. His paintings, including this portrait, are noted for their compositional balance and subtle use of color, contributing to the broader narrative of American art at the turn of the 20th century.

Madonna and Child Enthroned with Two Angels

Fra Filippo Lippi

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Madonna and Child Enthroned with Two Angels

Fra Filippo Lippi

Created:

1445

Movement:

Renaissance

Medium:

Tempera and gold on wood, transferred from wood

Dimensions:

Arched top, 48 1/4 x 24 3/4 in. (122.6 x 62.9 cm)

Key Notes:

Renaissance elegance, Divine intimacy

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Madonna and Child Enthroned with Two Angels by Fra Filippo Lippi

Fra Filippo Lippi (c. 1406–1469) was an Italian painter of the Early Renaissance, known for his contributions to the development of Florentine art. The painting "Madonna and Child Enthroned with Two Angels," created in 1445, exemplifies Lippi's mastery of tempera and gold on wood, a medium that was later transferred from its original wooden panel. This work is notable for its delicate rendering of figures and the use of linear perspective, which were innovative techniques during the period. Lippi's depiction of the Madonna and Child, accompanied by angels, reflects the religious devotion and humanism characteristic of the Renaissance. The painting's composition and use of color influenced subsequent artists, including Sandro Botticelli, who was one of Lippi's most famous pupils. Lippi's work remains significant for its blend of spiritual themes with a naturalistic approach, contributing to the evolution of religious iconography in art.

Georges de La Tour

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The Penitent Magdalen

Georges de La Tour

Created:

1645

Movement:

Medium:

Oil on canvas

Dimensions:

52 1/2 x 40 1/4 in. (133.4 x 102.2 cm)

Key Notes:

Chiaroscuro, Contemplative Solitude

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Penitent Magdalen by Georges de La Tour

The Penitent Magdalen, painted by Georges de La Tour in 1645, is an exemplary work of Baroque art, executed in oil on canvas. This painting is renowned for its dramatic use of chiaroscuro, a technique that emphasizes the contrast between light and dark, which La Tour masterfully employs to create a contemplative and intimate atmosphere. The subject, Mary Magdalene, is depicted in a moment of introspection, a theme that resonates with the Counter-Reformation's emphasis on personal piety and repentance. La Tour's work is significant for its psychological depth and its ability to convey spiritual themes through a minimalist composition. Georges de La Tour, a French Baroque painter, was known for his unique approach to light and shadow, often drawing comparisons to Caravaggio, although his style is distinct in its serene and meditative qualities. His contributions to art were largely unrecognized during his lifetime, but he has since been acknowledged as a master of his craft, influencing future generations of artists.

Iwasa Matabei 岩佐又兵衛

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Floating World Scene

Iwasa Matabei 岩佐又兵衛

Created:

unknown

Movement:

Medium:

Ink and color on paper

Dimensions:

Key Notes:

Ukiyo-e Elegance, Vibrant Color Palette

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Floating World Scene by Iwasa Matabei

The painting titled Floating World Scene by Iwasa Matabei is an exemplary work created using ink and color on paper. Iwasa Matabei, active during the early Edo period, is often credited with influencing the development of the ukiyo-e genre, which later became synonymous with Japanese woodblock prints. His works are characterized by their delicate linework and vibrant use of color, reflecting the cultural and social dynamics of his time. Although the exact date of creation for Floating World Scene remains unknown, it embodies the transitional artistic styles between the late Momoyama and early Edo periods. Matabei's contributions to Japanese art are significant, as he is often regarded as a precursor to the more widely recognized ukiyo-e artists of the 18th and 19th centuries. His legacy is preserved through his innovative approach to depicting the ephemeral beauty of the "floating world."

Denman Waldo Ross

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Landscape with Waterfall

Denman Waldo Ross

Created:

c. 1900

Movement:

Medium:

Oil on canvas

Dimensions:

Key Notes:

Naturalistic serenity, cascading water.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Landscape with Waterfall by Denman Waldo Ross

Denman Waldo Ross (1853–1935) was an influential figure in the American art scene, known for his contributions as both an artist and a theorist. His painting, Landscape with Waterfall, created circa 1900, exemplifies his interest in the interplay of color and form, rendered through the medium of oil on canvas. Ross's work is characterized by a meticulous attention to detail and a harmonious composition, reflecting his academic background and theoretical pursuits. As a professor at Harvard University, Ross significantly impacted the study of art through his teachings and writings on color theory. His artistic endeavors, including this landscape, are noted for their serene and contemplative qualities, contributing to the broader appreciation of landscape painting in the early 20th century. Ross's legacy extends beyond his paintings, as he played a pivotal role in shaping art education and collecting practices in the United States.

Johannes Vermeer

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Study of a Young Woman

Johannes Vermeer

Created:

1667

Movement:

Medium:

Oil on canvas

Dimensions:

17 1/2 x 15 3/4 in. (44.5 x 40 cm)

Key Notes:

Tranquil gaze; Luminous complexion.

story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Study of a Young Woman by Johannes Vermeer

Study of a Young Woman, created in 1667 by Johannes Vermeer, is an exemplary work of the Dutch Golden Age, showcasing the artist's mastery in the use of light and texture through oil on canvas. Vermeer, renowned for his meticulous attention to detail and ability to capture the subtleties of human expression, presents a serene and intimate portrayal of a young woman. This painting is often noted for its realistic depiction and the soft, diffused light that illuminates the subject's face, a hallmark of Vermeer's technique. Historically, Vermeer's works, including this piece, have significantly contributed to the appreciation of genre painting, elevating everyday scenes to the realm of fine art. Despite his limited output, with only about 34 known paintings, Vermeer's influence on subsequent generations of artists is profound, particularly in the realms of realism and the study of light. The artist's life in Delft and his relatively obscure career during his lifetime add a layer of intrigue to his enduring legacy.

Charles Herbert Moore

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The Catskill Mountains

Charles Herbert Moore

Created:

1880

Movement: