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Master Rees Goring Thomas
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Ralph Earl
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Created:
1784
Medium:
Oil on canvas
Dimensions:
66 x 47 5/8 in. (167.6 x 121 cm)
Key Notes:
Colonial Portraiture, Aristocratic Elegance
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Master Rees Goring Thomas by Ralph Earl

Master Rees Goring Thomas, painted by Ralph Earl in 1784, is an exemplary work of American portraiture from the late 18th century. Earl, known for his detailed and realistic style, captures the youthful innocence and aristocratic poise of his subject, a young boy from a prominent family. The use of oil on canvas allows for a rich texture and depth, characteristic of Earl's portraits. This painting reflects the artist's ability to convey both the physical likeness and the social status of his sitters, a skill that earned him considerable acclaim during his career.

Ralph Earl was an American painter who spent several years in England, where he was influenced by the British portrait tradition. His work is significant for its contribution to the development of American art, bridging colonial and post-revolutionary styles. Earl's portraits are valued for their historical insight into the American elite of his time, providing a visual record of the nation's early cultural identity.

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The Fountain, Villa Torlonia, Frascati, Italy
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John Singer Sargent
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Created:
1907
Medium:
Oil on canvas
Dimensions:
71.4 × 56.5 cm (28 1/8 × 22 1/4 in.)
Key Notes:
Italian landscape, Impressionistic light
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Fountain, Villa Torlonia, Frascati, Italy by John Singer Sargent

John Singer Sargent, an American expatriate artist, created "The Fountain, Villa Torlonia, Frascati, Italy" in 1907 using oil on canvas. This work exemplifies Sargent's adeptness at capturing the interplay of light and shadow, a hallmark of his plein air painting style. The painting reflects Sargent's interest in Italian landscapes, a recurring theme in his oeuvre, which he explored extensively during his travels. Sargent's ability to convey the serene atmosphere of the Villa Torlonia's gardens demonstrates his mastery in rendering natural settings with a sense of immediacy and vibrancy. Historically, this painting contributes to the understanding of early 20th-century American artists' engagement with European landscapes. Sargent's work continues to be celebrated for its technical brilliance and its role in bridging American and European art traditions.

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The Awakening of the Forest
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Paul Delvaux
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Created:
1939
Movement:
Surrealism
Medium:
Oil on canvas
Dimensions:
170.2 × 225.4 cm (67 × 88 3/4 in.)
Key Notes:
Surrealist Landscape, Dreamlike Atmosphere
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Awakening of the Forest by Paul Delvaux (1939)

The Awakening of the Forest, painted by Paul Delvaux in 1939, is an exemplary work of the Belgian surrealist movement, showcasing Delvaux's fascination with dreamlike landscapes and enigmatic figures. This oil on canvas piece reflects Delvaux's characteristic style, where classical architecture and nude figures are juxtaposed in mysterious, often unsettling settings. The painting contributes to the surrealist dialogue of the time by exploring themes of subconscious and mythological narratives. Delvaux, influenced by Giorgio de Chirico and René Magritte, often infused his works with a sense of timelessness and introspection. His unique approach to surrealism distinguished him from his contemporaries, making significant contributions to the movement's evolution. The painting remains a testament to Delvaux's ability to evoke emotion and curiosity through his distinctive visual language.

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The Double Bass Player
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Alphonse Legros
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Created:
c. 1873
Movement:
Realism
Medium:
Etching on ivory Japanese tissue
Dimensions:
Plate: 30 × 21.1 cm (11 13/16 × 8 5/16 in.); Sheet: 30.7 × 21.7 cm (12 1/8 × 8 9/16 in.)
Key Notes:
Realism, Musical Portraiture
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Double Bass Player by Alphonse Legros

The Double Bass Player, created circa 1873 by Alphonse Legros, is an etching on ivory Japanese tissue that exemplifies the artist's skill in printmaking. Legros, a French-born artist who later became a significant figure in the British art scene, was known for his meticulous technique and attention to detail. This work reflects his interest in capturing the essence of musicians, a recurring theme in his oeuvre. The use of ivory Japanese tissue adds a delicate texture to the piece, enhancing its visual appeal and demonstrating Legros' innovative approach to materials. Historically, Legros played a crucial role in the revival of etching in the 19th century, influencing a generation of artists through his teaching at the Slade School of Fine Art in London. His contributions to both French and British art underscore his importance as a transnational figure in the art world of his time.

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Moses Pond
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George P. A. Healy
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Created:
1832
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
30 x 25 in. (76.2 x 63.5 cm)
Key Notes:
Pastoral Landscape, Early American Realism
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Moses Pond by George P. A. Healy

"Moses Pond", painted by George P. A. Healy in 1832, is an exemplary work of early 19th-century American portraiture. Healy, known for his adept skill in capturing the likeness and character of his subjects, utilized oil on canvas to bring depth and realism to his work. This painting is significant as it marks the early stages of Healy's illustrious career, during which he became one of the most sought-after portraitists of his time. Healy's ability to convey the personality and status of his sitters contributed to the growing appreciation of portraiture in America. His works often reflect the cultural and social dynamics of the period, offering insight into the lives of prominent figures. "Moses Pond" stands as a testament to Healy's emerging talent and his contribution to American art history.

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Toad and Flowers
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Hokusai School
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Created:
1868
Movement:
None
Medium:
Unmounted painting; ink and color on paper
Dimensions:
10 1/2 x 14 1/2 in. (26.7 x 36.8 cm)
Key Notes:
Naturalistic depiction, Edo period aesthetics
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Toad and Flowers by Hokusai-School

The painting "Toad and Flowers," attributed to the Hokusai-school and created in 1868, exemplifies the enduring influence of Katsushika Hokusai's artistic legacy. This unmounted painting, executed in ink and color on paper, reflects the Edo period's fascination with nature and the integration of flora and fauna in art. The work is significant for its demonstration of the Hokusai-school's ability to perpetuate the master's style and thematic interests beyond his lifetime. Hokusai, renowned for his "Thirty-Six Views of Mount Fuji," profoundly impacted Japanese art, inspiring subsequent generations of artists. The painting's delicate composition and vibrant use of color highlight the school's commitment to maintaining the aesthetic principles established by Hokusai. This piece contributes to the understanding of the transition in Japanese art during the late Edo period, as it bridges traditional techniques with emerging modern influences.

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The Reverend John Brodhead Romeyn
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Samuel Lovett Waldo
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Created:
1820
Medium:
Oil on canvas
Dimensions:
30 1/4 x 25 1/4 in. (76.8 x 64.1 cm)
Key Notes:
Neoclassical Portraiture, Clerical Attire
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Reverend John Brodhead Romeyn by Samuel Lovett Waldo

Samuel Lovett Waldo (1783–1861) was an American portrait painter known for his detailed and realistic depictions of prominent figures in early 19th-century America. The painting titled The Reverend John Brodhead Romeyn, created in 1820, is an exemplary work of Waldo's skill in using oil on canvas to capture the likeness and character of his subjects. This portrait reflects the artist's ability to convey the intellectual and spiritual presence of Reverend Romeyn, a notable Presbyterian minister of the time. Waldo's work is significant for its contribution to the American portrait tradition, providing insight into the cultural and religious milieu of the era. The painting is a testament to Waldo's reputation as a leading portraitist, whose works were sought after by the American elite. His collaboration with William Jewett further solidified his influence in the art world, as they produced numerous portraits that remain important historical records.

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Christ before Pilate; The Resurrection
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Ludwig Schongauer
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Created:
1494
Movement:
Renaissance
Medium:
Oil on fir
Dimensions:
(a) overall 15 1/8 x 8 1/4 in. (38.4 x 21 cm), painted surface 14 3/8 x 7 3/4 in. (36.5 x 19.7 cm); (b) overall 15 1/8 x 8 1/4 in. (38.4 x 21 cm), painted surface 14 1/2 x 7 3/4 in. (36.8 x 19.7 cm)
Key Notes:
Renaissance religious narrative; Detailed figural composition
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Christ before Pilate; The Resurrection by Ludwig Schongauer

The painting "Christ before Pilate; The Resurrection," created in 1494 by Ludwig Schongauer, is an exemplary work of late Gothic art, executed in oil on fir. Schongauer, a member of a prominent family of artists, was known for his detailed and expressive compositions, which contributed significantly to the development of Northern Renaissance art. This particular work reflects the artist's mastery in depicting religious narratives with emotional depth and intricate detail. The use of oil on fir allowed Schongauer to achieve a luminous quality in his depiction of biblical scenes, enhancing the spiritual impact of the artwork. Historically, Schongauer's works influenced subsequent generations of artists, including Albrecht Dürer, who admired his engravings and paintings. As a pivotal figure in the transition from Gothic to Renaissance art in Germany, Schongauer's contributions remain significant in the study of European art history.

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Study from Nature
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William Stanley Haseltine
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Created:
1900
Movement:
Realism
Medium:
Oil on paper
Dimensions:
9 x 14 3/4 in. (22.9 x 37.5 cm)
Key Notes:
Realistic Landscape, Detailed Naturalism
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Study from Nature by William Stanley Haseltine

Study from Nature, created in 1900 by William Stanley Haseltine, is an exemplary work that showcases the artist's adept skill in capturing the subtleties of natural landscapes through the medium of oil on paper. Haseltine, an American painter associated with the Hudson River School, was renowned for his meticulous attention to detail and his ability to convey the grandeur of the American landscape. This particular work reflects his commitment to plein air painting, a practice that emphasizes painting outdoors to capture the natural light and atmosphere of a scene. Haseltine's contributions to landscape painting were significant during a period when American artists were striving to establish a distinct national identity in art. His works are celebrated for their precision and clarity, qualities that have cemented his reputation as a master of landscape art. The painting not only exemplifies Haseltine's technical prowess but also serves as a historical document of the American natural environment at the turn of the 20th century.

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The Sheepfold
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Charles Jacque
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Created:
1857
Movement:
Realism
Medium:
Oil on wood
Dimensions:
18 1/8 x 36 1/8 in. (46 x 91.8 cm)
Key Notes:
Pastoral Tranquility, Rural Realism
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Sheepfold by Charles Jacque (1857)

The Sheepfold, created in 1857 by Charles Jacque, is an exemplary work of the Barbizon School, characterized by its realistic portrayal of rural life. Painted using oil on wood, the piece reflects Jacque's deep appreciation for pastoral scenes and his skill in capturing the nuances of light and texture. Jacque, originally trained as an engraver, transitioned to painting and became renowned for his depictions of farm animals and landscapes. His work contributed significantly to the 19th-century movement that emphasized naturalism and the beauty of the French countryside. The painting not only showcases Jacque's technical prowess but also his ability to evoke a sense of tranquility and authenticity. As a member of the Barbizon School, Jacque's influence extended to later Impressionist artists who valued plein air painting and the depiction of everyday life.

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An Indian Encampment
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Ralph Albert Blakelock
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Created:
1900
Movement:
Tonalism
Medium:
Oil on canvas
Dimensions:
37 5/8 x 40 5/8 in. (95.6 x 103.2 cm)
Key Notes:
Mystical Atmosphere, Nocturnal Landscape
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

An Indian Encampment by Ralph Albert Blakelock

"An Indian Encampment", created in 1900 by Ralph Albert Blakelock, is an evocative oil on canvas painting that captures the serene and mystical atmosphere of Native American life. Blakelock, an American artist known for his landscapes and depictions of indigenous themes, often infused his works with a sense of romanticism and introspection. This painting is significant for its atmospheric use of light and shadow, which became a hallmark of Blakelock's style, contributing to the tonalism movement in American art. Despite facing personal and financial hardships, including mental health struggles, Blakelock's work gained recognition posthumously, influencing future generations of artists. His unique approach to capturing the natural world and indigenous subjects provides valuable insight into the cultural perceptions of the time. "An Indian Encampment" remains a testament to Blakelock's artistic vision and his ability to convey emotion through landscape.

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Rock Crest/Rock Glen, Mason City, Iowa, Perspective
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Marion Mahony Griffin
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Created:
c. 1912
Movement:
Art Nouveau
Medium:
Lithograph and gouache on green satin
Dimensions:
59 × 201 cm (23 1/4 × 79 in.)
Key Notes:
Prairie School Architecture, Organic Integration
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Marion Mahony Griffin: "Rock Crest/Rock Glen, Mason City, Iowa, Perspective"

The painting "Rock Crest/Rock Glen, Mason City, Iowa, Perspective," created circa 1912 by Marion Mahony Griffin, is a notable example of early 20th-century architectural illustration. Executed in lithograph and gouache on green satin, the work exemplifies Griffin's distinctive style, characterized by its intricate detail and harmonious integration of architecture with the natural landscape. As one of the first licensed female architects in the United States, Griffin played a pivotal role in the Prairie School movement, working closely with Frank Lloyd Wright and later with her husband, Walter Burley Griffin. This particular piece reflects her commitment to organic architecture, a philosophy that emphasizes the symbiotic relationship between human-made structures and their environments. The artwork not only showcases Griffin's technical skill but also her visionary approach to design, which has had a lasting impact on architectural practices. Her contributions to architecture and design continue to be celebrated for their innovation and aesthetic sensitivity.

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That Which I Should Have Done I Did Not Do (The Door)
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Ivan Albright
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Created:
1931–41
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
246.4 × 91.4 cm (97 × 36 in.)
Key Notes:
Meticulous detail, Decay and mortality
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Ivan Albright's "That Which I Should Have Done I Did Not Do (The Door)"

Ivan Albright (1897–1983) was an American artist known for his meticulous and often unsettling depictions of the human condition. His painting, "That Which I Should Have Done I Did Not Do (The Door)", created between 1931 and 1941, exemplifies his distinctive style characterized by intricate detail and a somber palette. This work is a profound exploration of themes such as regret and mortality, rendered through Albright's painstaking technique of layering oil on canvas. The painting's impact lies in its ability to evoke a visceral response, challenging viewers to confront their own existential reflections. Albright's contribution to American art is significant, as he pushed the boundaries of realism and influenced subsequent generations of artists. His works are often associated with the Magic Realism movement, which sought to depict the mysterious and surreal aspects of everyday life.

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Windflowers
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Ruger Donoho
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Created:
1912
Medium:
Oil on canvas
Dimensions:
30 x 36 in. (76.2 x 91.4 cm)
Key Notes:
Impressionistic floral depiction, Soft color palette
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Windflowers by Ruger Donoho

Windflowers, painted in 1912 by Ruger Donoho, is an exemplary work of early 20th-century American art, executed in oil on canvas. Donoho, known for his impressionistic style, captures the delicate beauty of nature with a focus on light and color, which is evident in this piece. The painting reflects the artist's affinity for landscapes and floral subjects, a common theme throughout his oeuvre. Donoho's work contributes to the broader American Impressionist movement, which sought to capture the fleeting effects of light and atmosphere. His paintings are noted for their serene and contemplative qualities, offering viewers a glimpse into the tranquility of rural life. Donoho's artistic legacy is marked by his ability to blend traditional techniques with a modern sensibility, influencing subsequent generations of American artists.

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Allegorical Figures Representing Virtue and Abundance
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Giovanni Battista Tiepolo
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Created:
1760
Movement:
Rococo
Medium:
Fresco, transferred to canvas
Dimensions:
Diameter 114 in. (289.6 cm)
Key Notes:
Rococo Allegory, Classical Symbolism
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Allegorical Figures Representing Virtue and Abundance by Giovanni Battista Tiepolo

Giovanni Battista Tiepolo, an eminent Venetian painter of the 18th century, created "Allegorical Figures Representing Virtue and Abundance" in 1760. Originally executed as a fresco, this work was later transferred to canvas, a common practice to preserve such artworks. Tiepolo's mastery in the use of light and color is evident in this piece, showcasing his ability to convey complex allegorical themes with clarity and elegance. The painting exemplifies the Rococo style, characterized by its ornate detail and dynamic composition, which Tiepolo was renowned for. His work significantly influenced the development of European art, particularly in the realm of ceiling frescoes. Tiepolo's legacy endures through his innovative approach to composition and his ability to infuse traditional subjects with a sense of grandeur and vitality.

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The Missionary's Adventures
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Jean-Georges Vibert
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Created:
1888
Movement:
Realism
Medium:
Oil on wood
Dimensions:
39 x 53 in. (99.1 x 134.6 cm)
Key Notes:
Satirical narrative, Ecclesiastical humor
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Missionary's Adventures by Jean-Georges Vibert

The Missionary's Adventures, painted by Jean-Georges Vibert in 1888, is an exemplary work of art executed in oil on wood. Vibert, a French academic painter, was renowned for his satirical and often humorous depictions of clergy and religious themes. This painting reflects his characteristic style, combining meticulous detail with a narrative that invites viewers to ponder the complexities of missionary work. Vibert's works were well-received in his time, contributing to the broader 19th-century discourse on religion and society. His ability to blend wit with technical skill made him a significant figure in the genre of anecdotal painting. The painting remains a testament to Vibert's unique approach to storytelling through art.

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Princess Pauline Metternich (1836–1921) on the Beach
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Eugène Boudin
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Created:
1898
Medium:
Oil on cardboard, laid down on wood
Dimensions:
11 5/8 x 9 1/4 in. (29.5 x 23.5 cm)
Key Notes:
Impressionistic beach scene, Aristocratic leisure
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Princess Pauline Metternich (1836–1921) on the Beach by Eugène Boudin

The painting "Princess Pauline Metternich (1836–1921) on the Beach," created in 1898 by Eugène Boudin, is an exemplary work showcasing the artist's adept use of oil on cardboard, laid down on wood. Boudin, a precursor to the Impressionist movement, is renowned for his plein air landscapes and seascapes, capturing the transient effects of light and atmosphere. This particular work reflects his fascination with the leisure activities of the upper class, as well as his skill in rendering the delicate interplay of light and shadow. Princess Pauline Metternich, a prominent figure in European high society, is depicted with a sense of elegance and poise, indicative of Boudin's ability to convey character and status. The painting not only highlights Boudin's technical prowess but also offers insight into the social dynamics of the late 19th century. As an artist, Boudin significantly influenced contemporaries such as Claude Monet, contributing to the evolution of modern landscape painting.

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Polyhymnia
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Joseph Fagnani
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Created:
1869
Medium:
Oil on canvas
Dimensions:
43 1/2 x 33 1/2 in. (110.5 x 83.8 cm)
Key Notes:
Neoclassical elegance, Muse depiction
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Polyhymnia by Joseph Fagnani (1869)

Polyhymnia, painted by Joseph Fagnani in 1869, is an exemplary work of art executed in oil on canvas. The painting reflects the 19th-century fascination with classical themes, as Polyhymnia is one of the nine Muses in Greek mythology, often associated with sacred poetry and hymns. Fagnani, an Italian-American artist, was known for his portraits and historical subjects, contributing to the cultural exchange between Europe and America during this period. His work, including Polyhymnia, is noted for its meticulous attention to detail and the romanticized portrayal of mythological figures. Fagnani's artistic endeavors were part of a broader movement that sought to revive classical ideals in art, influencing both his contemporaries and subsequent generations. The painting remains a testament to Fagnani's skill and the enduring allure of mythological subjects in art history.

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The Reprimand
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Jean-Georges Vibert
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Created:
1874
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
20 3/8 x 33 in. (51.8 x 83.8 cm)
Key Notes:
Clerical satire, Victorian interior
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Reprimand by Jean-Georges Vibert

The Reprimand, painted by Jean-Georges Vibert in 1874, is an exemplary work of the artist's skill in genre painting, particularly known for its satirical depiction of ecclesiastical figures. Vibert, a French academic painter, often infused his works with humor and critique, reflecting the societal attitudes of his time towards the clergy. This painting, executed in oil on canvas, showcases Vibert's meticulous attention to detail and his ability to convey narrative through expression and composition. The artist's works were well-received in the 19th century, contributing to the broader discourse on the role of the church in society. Vibert's legacy is marked by his unique ability to blend technical prowess with social commentary, making his paintings both visually engaging and intellectually stimulating.

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Untitled 72–12–A
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Chung Sang-Hwa
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Created:
1972
Movement:
Minimalism
Medium:
Acrylic on canvas
Dimensions:
162 × 130 cm (63 13/16 × 51 1/4 in.)
Key Notes:
Monochromatic texture, Grid pattern
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Untitled 72–12–A by Chung Sang-Hwa

Untitled 72–12–A, created in 1972 by Chung Sang-Hwa, is a significant work within the context of the Dansaekhwa movement, which emerged in Korea during the 1970s. This movement is characterized by its monochromatic palette and emphasis on materiality and process. Chung's use of acrylic on canvas exemplifies his meticulous technique of layering and removing paint, which results in a textured surface that invites contemplation. The artist's methodical approach reflects a meditative practice, aligning with the philosophical underpinnings of Dansaekhwa. Chung Sang-Hwa, born in 1932, is a pivotal figure in Korean contemporary art, and his works have contributed to the global recognition of Dansaekhwa. His art is celebrated for its ability to transcend cultural boundaries while maintaining a deep connection to Korean artistic traditions.

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The Spinner
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Quirijn van Brekelenkam
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Created:
1653
Movement:
Baroque
Medium:
Oil on wood
Dimensions:
19 x 25 1/4 in. (48.3 x 64.1 cm)
Key Notes:
Domestic interior, Genre scene
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Spinner by Quirijn van Brekelenkam

The Spinner, painted by Quirijn van Brekelenkam in 1653, is an exemplary work of Dutch genre painting, executed in oil on wood. This painting reflects the domestic tranquility and everyday life that characterized much of the Dutch Golden Age art. Van Brekelenkam, a member of the Leiden Guild of St. Luke, was known for his detailed and intimate depictions of interior scenes. His works often focused on the lives of the middle class, capturing the subtleties of light and texture with precision. The Spinner is significant for its portrayal of the quiet dignity of labor, a common theme in the artist's oeuvre. Van Brekelenkam's attention to detail and ability to convey the serene atmosphere of domestic life contribute to the historical appreciation of 17th-century Dutch culture.

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Saint Matthias
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Bartolomeo Bulgarini
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Created:
1353
Movement:
Gothic art
Medium:
Tempera on wood, gold ground
Dimensions:
Overall, exclusive of modern frame additions, 20 7/8 x 18 1/8 in. (53 x 46 cm); painted surface 17 1/2 x 16 3/4 in. (44.5 x 42.5 cm)
Key Notes:
Gothic Iconography, Gold Leaf Background
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Saint Matthias by Bartolomeo Bulgarini

Saint Matthias, painted by Bartolomeo Bulgarini in 1353, is a notable example of Sienese art from the mid-14th century. The work is executed in tempera on wood with a gold ground, a technique characteristic of the period, which emphasizes the spiritual and ethereal qualities of the subject. Bulgarini, active in Siena, was part of a tradition that valued intricate detail and vibrant color, contributing to the city's reputation as a center of Gothic art. His works often reflect the influence of earlier Sienese masters such as Duccio di Buoninsegna, yet Bulgarini's style is distinguished by its delicate figures and expressive use of gold leaf. The painting of Saint Matthias is significant for its devotional purpose, likely intended for private worship or as part of a larger altarpiece. Bulgarini's contributions to Sienese painting underscore the transition from Byzantine influences to a more localized Gothic style, marking an important period in the history of Italian art.

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Young Woman with a Red Necklace
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Rembrandt van Rijn
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Created:
1650
Movement:
Baroque
Medium:
Oil on wood
Dimensions:
Overall, with added strips, 8 1/2 x 7 1/4 in. (21.6 x 18.4 cm)
Key Notes:
Baroque portraiture, Subtle chiaroscuro
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Young Woman with a Red Necklace by Rembrandt van Rijn

Young Woman with a Red Necklace, created in 1650 by Rembrandt van Rijn, is an exemplary work of the Dutch Golden Age, showcasing the artist's mastery in the use of oil on wood. This painting is notable for its intimate portrayal and the subtle interplay of light and shadow, which are hallmarks of Rembrandt's portraiture. The red necklace serves as a focal point, drawing attention to the subject's serene expression and enhancing the overall composition. Rembrandt's ability to capture the essence of his subjects contributed significantly to his reputation as one of the greatest portraitists of his time. This work reflects the artist's deep understanding of human emotion and his innovative approach to capturing it on canvas. Rembrandt's influence extends beyond his lifetime, impacting generations of artists and solidifying his legacy in the history of art.

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Buttermilk Pedlar
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William P. Chappel
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Created:
1870
Movement:
Realism
Medium:
Oil on slate paper
Dimensions:
6 3/16 x 9 5/16 in. (15.7 x 23.6 cm)
Key Notes:
Genre Scene, 19th-Century New York
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Buttermilk Pedlar by William P. Chappel

The Buttermilk Pedlar, painted by William P. Chappel in 1870, is an evocative example of 19th-century American genre painting. Created using oil on slate paper, this work captures a slice of everyday life, reflecting Chappel's interest in documenting the social customs and occupations of his time. Chappel, an artist known for his detailed depictions of New York City street scenes, often focused on the lives of ordinary people, providing a valuable visual record of urban life in the mid-19th century. His works are appreciated for their historical accuracy and attention to detail, offering insights into the cultural and economic conditions of the era. The use of slate paper as a medium is notable, as it adds a unique texture and depth to the painting, enhancing its historical authenticity. Chappel's contributions to American art lie in his ability to blend artistic skill with historical documentation, making his works significant both artistically and historically.

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John David Wolfe
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Daniel Huntington
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Created:
1871
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
43 1/4 x 37 3/8 in. (109.9 x 94.9 cm)
Key Notes:
Gilded Age Portraiture, Stately Elegance
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

John David Wolfe by Daniel Huntington

The painting "John David Wolfe," created in 1871 by Daniel Huntington, is an exemplary work of 19th-century American portraiture. Executed in oil on canvas, the piece reflects Huntington's adept skill in capturing the likeness and character of his subjects, a hallmark of his artistic career. Huntington was a prominent figure in the Hudson River School and served as the president of the National Academy of Design, underscoring his influence in the American art scene of his time. The portrait of Wolfe, a notable philanthropist and art patron, not only immortalizes an important figure of the era but also highlights the interconnectedness of art and society during the period. Huntington's work is significant for its contribution to the documentation of American cultural and social history through portraiture. This painting remains a testament to Huntington's legacy as a leading portrait artist of his generation.

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Crucifix
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Master of the Orcagnesque Misericordia
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Created:
1375
Movement:
Gothic art
Medium:
Tempera on wood, gold ground
Dimensions:
18 x 13 1/4 in. (45.7 x 33.7 cm)
Key Notes:
Gothic Devotional Imagery, Ornate Gold Leaf Detailing
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Crucifix by Master of the Orcagnesque Misericordia

The painting titled "Crucifix," created in 1375 by the Master of the Orcagnesque Misericordia, is a significant example of tempera on wood with a gold ground. This work exemplifies the Gothic style prevalent in Italy during the late 14th century, characterized by its use of rich colors and intricate detailing. The artist, whose identity remains anonymous, is named after the Orcagnesque Misericordia, a reference to the stylistic influence of Orcagna, a prominent Florentine painter and sculptor. The "Crucifix" reflects the religious fervor of the period, serving both as a devotional object and a testament to the era's artistic advancements. The use of gold ground in the painting highlights the divine nature of the subject, a common practice intended to evoke a sense of the sacred. This work contributes to our understanding of the transitional period in Italian art, bridging the Gothic and early Renaissance styles.

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Summer Woodlands
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Julie Hart Beers
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Created:
1880
Movement:
Realism
Medium:
Oil on paper mounted to board
Dimensions:
11 3/4 × 7 3/4 in. (29.8 × 19.7 cm)
Key Notes:
Lush foliage, Tranquil landscape
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Summer Woodlands by Julie Hart Beers

Summer Woodlands, created in 1880 by Julie Hart Beers, is an exemplary work of art executed in oil on paper mounted to board. Beers, one of the few professional female landscape painters in 19th-century America, was known for her adept handling of natural scenes, often depicting serene and idyllic landscapes. Her work is significant for its contribution to the Hudson River School, a movement characterized by its romantic portrayal of the American wilderness. Beers' paintings, including Summer Woodlands, are noted for their meticulous attention to detail and atmospheric quality, capturing the essence of the natural environment. As a sister to artists William and James McDougal Hart, she was part of a prominent artistic family, which influenced her development and success as an artist. Her work not only reflects her personal artistic vision but also represents the broader cultural appreciation for nature during her time.

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The Boat Swing
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Eileen Alice Soper
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Created:
1924
Movement:
None
Medium:
Drypoint on cream wove paper
Dimensions:
Image/plate: 27.6 × 19 cm (10 7/8 × 7 1/2 in.); Sheet: 39.2 × 28.5 cm (15 7/16 × 11 1/4 in.)
Key Notes:
Youthful exuberance, playful innocence
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Boat Swing by Eileen Alice Soper

The Boat Swing, created in 1924 by Eileen Alice Soper, is a notable example of drypoint technique on cream wove paper. Soper, an accomplished British artist, is renowned for her illustrations and etchings, particularly those depicting children and animals. This work exemplifies her skill in capturing the innocence and playfulness of childhood, a recurring theme in her oeuvre. Soper's contributions to art extend beyond her prints; she is also celebrated for illustrating Enid Blyton's Famous Five series. Her ability to convey narrative and emotion through her art has left a lasting impact on both the illustration and printmaking fields. The Boat Swing remains a testament to Soper's technical prowess and her keen observation of youthful exuberance.

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The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room
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Seymour Joseph Guy
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Created:
1866
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
24 5/8 x 29 1/2 in. (62.5 x 74.9 cm)
Key Notes:
Domestic intimacy, Victorian elegance
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room

Artist: Seymour Joseph Guy

Year: 1866

Medium: Oil on canvas

Artistic and Historical Context

Seymour Joseph Guy's "The Contest for the Bouquet: The Family of Robert Gordon in Their New York Dining-Room" is a quintessential example of 19th-century American genre painting. The work captures a domestic scene with meticulous attention to detail, reflecting the social customs and familial dynamics of the period. Guy's ability to convey narrative through composition and expression is evident in this piece, which showcases his skill in rendering textures and light. The painting is significant for its portrayal of middle-class life in post-Civil War America, offering insights into the cultural and social milieu of the time.

Biographical Context

Seymour Joseph Guy (1824–1910) was an English-born artist who emigrated to the United States in 1854, where he became known for his genre scenes and portraits. His work often depicted intimate, everyday moments, characterized by a keen observation of human behavior and interaction. Guy's paintings are noted for their technical precision and narrative depth, contributing to the broader tradition of American realism in the 19th century.

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Anahita: A Study for "The Flight of Night"
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William Morris Hunt
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Created:
1878
Movement:
Tonalism
Medium:
Oil on canvas
Dimensions:
37 x 25 1/2 in. (94 x 64.8 cm)
Key Notes:
Mythological representation; Symbolic nocturne.
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Anahita: A Study for "The Flight of Night" by William Morris Hunt

William Morris Hunt (1824–1879) was a prominent American painter known for his influence on the Boston art scene in the 19th century. The painting "Anahita: A Study for 'The Flight of Night'" was created in 1878 using oil on canvas, showcasing Hunt's adeptness in capturing ethereal and mythological themes. This work is a preparatory study for a larger mural, reflecting Hunt's interest in grand, allegorical subjects. Hunt's style was heavily influenced by the Barbizon School, which emphasized naturalism and the depiction of rural scenes. His contributions to American art include not only his paintings but also his role as a teacher and mentor to other artists. "Anahita" exemplifies Hunt's skill in blending classical themes with a distinctly American sensibility, contributing to the cultural and artistic dialogue of his time.

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Martha Stewart Wilson
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James Peale
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Created:
1814
Medium:
Oil on canvas
Dimensions:
28 1/2 x 24 in. (72.3 x 61 cm)
Key Notes:
Neoclassical Portraiture, Detailed Realism
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Martha Stewart Wilson by James Peale

The painting titled Martha Stewart Wilson was created by James Peale in 1814 using oil on canvas. James Peale, an American painter, was known for his contributions to portraiture and still life during the early 19th century. As a member of the Peale family, he was part of a prominent artistic dynasty that significantly influenced American art. This particular work exemplifies Peale's skill in capturing the likeness and character of his subjects, contributing to the documentation of American society during that period. The painting holds historical significance as it reflects the fashion and cultural values of the early 1800s. James Peale's meticulous attention to detail and use of color are evident in this portrait, underscoring his reputation as a skilled portraitist of his time.

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The Death of Harmonia
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Jean-Baptiste Marie Pierre
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Created:
1741
Movement:
Rococo
Medium:
Oil on canvas
Dimensions:
77 1/2 x 58 1/4 in. (196.9 x 148 cm)
Key Notes:
Neoclassical composition, Mythological narrative
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Death of Harmonia by Jean-Baptiste-Marie Pierre

The Death of Harmonia, painted in 1741 by Jean-Baptiste-Marie Pierre, is an exemplary work of the Rococo period, characterized by its intricate detail and dynamic composition. Pierre, a prominent French artist, was known for his mastery in depicting mythological and historical subjects, which is evident in this oil on canvas painting. The artwork reflects the artist's ability to convey emotion and drama, capturing the viewer's attention through its vivid portrayal of the mythological narrative. Jean-Baptiste-Marie Pierre served as the First Painter to King Louis XV and later became the director of the French Academy in Rome, highlighting his significant influence in the art world of his time. His contributions to the Rococo style and his role in the French art institutions underscore his importance in 18th-century art history. The painting not only showcases Pierre's technical skill but also his ability to engage with classical themes, making it a valuable piece for understanding the artistic trends of the period.

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The Stream in the Gorge
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Rodolphe Bresdin
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Created:
1871
Movement:
Symbolism
Medium:
Etching on ivory China paper laid down on white wove paper
Dimensions:
Image: 13.9 × 16.8 cm (5 1/2 × 6 5/8 in.); Chine: 14.7 × 11.1 cm (5 13/16 × 4 3/8 in.); Sheet: 27.2 × 36 cm (10 3/4 × 14 3/16 in.)
Key Notes:
Intricate detail; Lush landscape.
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Stream in the Gorge by Rodolphe Bresdin

The Stream in the Gorge, created in 1871 by Rodolphe Bresdin, is an etching on ivory China paper laid down on white wove paper. Bresdin, a French artist known for his intricate and fantastical landscapes, often employed etching to achieve detailed and complex compositions. This work exemplifies his meticulous technique and imaginative vision, contributing to the Symbolist movement's development. Bresdin's influence extended to notable artists such as Odilon Redon, who admired his ability to blend reality with fantasy. The piece reflects Bresdin's fascination with nature and the mystical, themes prevalent throughout his oeuvre. His work remains significant for its technical prowess and its role in inspiring subsequent generations of artists.

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The Knapp Children
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Samuel Lovett Waldo
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Created:
1834
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
70 x 57 1/2 in. (177.8 x 146.1 cm)
Key Notes:
Portraiture, Early American Art
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Knapp Children by Samuel Lovett Waldo

The Knapp Children, painted by Samuel Lovett Waldo in 1834, is an exemplary work of American portraiture from the early 19th century. Executed in oil on canvas, the painting captures the innocence and charm of its young subjects, reflecting the artist's adept skill in rendering human likeness and character. Waldo, an American artist born in 1783, was renowned for his portraits, which often depicted prominent figures of his time. His work is characterized by a meticulous attention to detail and a keen sensitivity to the personalities of his sitters. The painting not only serves as a testament to Waldo's artistic prowess but also provides insight into the social and cultural milieu of the period. As a historical artifact, it offers valuable perspectives on the fashion, family dynamics, and childhood of the early 1800s in America.

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Emma Homan
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John Bradley
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Created:
1844
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
34 x 27 1/8 in. (86.4 x 68.9 cm)
Key Notes:
Portraiture, 19th-century American art
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Emma Homan by John Bradley

The painting titled Emma Homan was created by John Bradley in 1844 using oil on canvas. This work exemplifies Bradley's skill in portraiture, capturing the essence of his subject with meticulous attention to detail and a refined use of color. John Bradley, an artist active in the mid-19th century, is known for his portraits that often reflect the social and cultural milieu of his time. Emma Homan is significant not only for its artistic merit but also for its contribution to the documentation of personal histories during this period. Bradley's work provides insight into the fashion, demeanor, and societal roles of individuals in the 1800s. The painting remains a valuable piece for understanding both the artist's oeuvre and the broader historical context of the era.

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Jean-Louis-André-Théodore Gericault (1791–1824)
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Horace Vernet
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Created:
1823
Movement:
Romanticism
Medium:
Oil on canvas
Dimensions:
18 5/8 x 15 1/8 in. (47.3 x 38.4 cm)
Key Notes:
Romantic Portraiture, Artistic Contemplation
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Jean-Louis-André-Théodore Gericault (1791–1824) by Horace Vernet

The painting "Jean-Louis-André-Théodore Gericault (1791–1824)" by Horace Vernet, created in 1823, is an oil on canvas work that captures the likeness of the renowned Romantic artist Théodore Géricault. Vernet, a prominent French painter known for his historical and military subjects, was a contemporary of Géricault and shared an interest in the dramatic and emotive potential of art. This portrait is significant as it immortalizes Géricault, who was a pivotal figure in the Romantic movement, best known for his masterpiece "The Raft of the Medusa." Vernet's depiction of Géricault not only serves as a tribute to his fellow artist but also reflects the interconnectedness of artists during this vibrant period in French art history. The painting is a testament to Vernet's skill in portraiture and his ability to convey the intellectual vigor of his subjects. As a historical document, it provides insight into the artistic milieu of early 19th-century France, highlighting the mutual respect and admiration among artists of the time.

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The Burning of Sodom (formerly "The Destruction of Sodom")
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Camille Corot
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Created:
1857
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
36 3/8 x 71 3/8 in. (92.4 x 181.3 cm)
Key Notes:
Apocalyptic landscape, Dramatic chiaroscuro
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Burning of Sodom by Camille Corot

The Burning of Sodom, painted by Camille Corot in 1857, is an evocative oil on canvas that captures the dramatic biblical scene of Sodom's destruction. Corot, a pivotal figure in the transition from Neoclassicism to Impressionism, is renowned for his landscape paintings that often incorporate mythological or historical themes. This work exemplifies his ability to blend atmospheric effects with narrative content, showcasing his mastery in rendering light and shadow. The painting reflects Corot's interest in capturing transient moments, a characteristic that influenced the later Impressionist movement. Historically, Corot's works, including this piece, contributed significantly to the development of plein air painting, emphasizing the importance of natural light and outdoor settings. His influence is evident in the works of later artists who sought to capture the ephemeral qualities of nature and light.

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The Fishermen (Fantastic Scene)
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Paul Cézanne
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Created:
1880
Medium:
Oil on canvas
Dimensions:
21 3/4 x 32 1/4 in. (55.2 x 81.9 cm)
Key Notes:
Post-Impressionist landscape, Dreamlike atmosphere
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Fishermen (Fantastic Scene) by Paul Cézanne

The Fishermen (Fantastic Scene), painted by Paul Cézanne in 1880, is an exemplary work that showcases the artist's transition from Impressionism to Post-Impressionism. Utilizing oil on canvas, Cézanne employs a distinctive brushstroke technique that emphasizes form and structure, a hallmark of his evolving style. This painting reflects Cézanne's interest in capturing the essence of nature through a more abstract and geometric approach, which would later influence the development of modern art, particularly Cubism. Born in 1839 in Aix-en-Provence, France, Cézanne's work was initially met with skepticism, but he is now regarded as a pivotal figure in the history of art. His exploration of color, composition, and perspective laid the groundwork for future artistic movements, cementing his legacy as a bridge between 19th-century Impressionism and 20th-century modernism.

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Mariana of Austria (1634–1696), Queen of Spain
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Jean Hey (called Master of Moulins)
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Created:
1493
Movement:
None
Medium:
Oil on oak panel
Dimensions:
12 7/8 x 9 1/8 in. (32.7 x 23 cm)
Key Notes:
Regal Portraiture, Symbolic Attire
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Mariana of Austria (1634–1696), Queen of Spain

The painting titled "Mariana of Austria (1634–1696), Queen of Spain)" attributed to Jean Hey, also known as the Master of Moulins, is an oil on oak panel created in 1493. However, there appears to be a chronological discrepancy, as Mariana of Austria was born in 1634, long after the artist's active period. Jean Hey was a notable French painter of the late 15th century, recognized for his detailed and expressive portraits. His works are characterized by their intricate attention to detail and the use of vibrant colors, which were innovative for the time. The Master of Moulins is particularly celebrated for his contributions to the development of portraiture in the French Renaissance. His paintings often reflect the socio-political context of the era, capturing the essence of his subjects with remarkable precision.

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Pasture Scene
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James M. Hart
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Created:
1876
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
20 x 34 in. (50.8 x 86.4 cm)
Key Notes:
Idyllic landscape, pastoral tranquility
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

James M. Hart's "Pasture Scene" (1876)

"Pasture Scene" by James M. Hart, created in 1876, is an exemplary work of the Hudson River School, known for its detailed and romantic portrayal of the American landscape. Hart's use of oil on canvas allows for a rich texture and depth, capturing the serene beauty of pastoral life. The painting reflects the 19th-century American interest in nature and the pastoral ideal, a theme prevalent among artists of the period. James M. Hart, born in 1828 in Scotland, immigrated to the United States, where he became a prominent figure in American landscape painting. His works often depict tranquil rural scenes, contributing to the cultural appreciation of the American countryside during a time of rapid industrialization. Hart's artistic legacy is marked by his ability to convey the peaceful coexistence of man and nature, a sentiment that resonated with audiences of his time and continues to be appreciated today.

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