1

Intermediate
Portrait of a Seated Young Boy Reading
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Denman Waldo Ross
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Created:
c. 1900
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
24 x 20 1/4 in. (61 x 51.4 cm)
Key Notes:
Intimate Childhood Scene, Naturalistic Detail
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Portrait of a Seated Young Boy Reading by Denman Waldo Ross

Denman Waldo Ross (1853–1935) was an influential figure in the American art scene, known for his contributions as an artist, collector, and educator. The painting "Portrait of a Seated Young Boy Reading," created circa 1900, exemplifies Ross's adept use of oil on canvas to capture intimate and contemplative moments. This work reflects the artist's interest in the interplay of light and shadow, as well as his commitment to portraying the quiet introspection of his subjects. Ross's involvement with the Harvard University art department and the Museum of Fine Arts, Boston, underscores his significant role in shaping art education and appreciation in the United States. The painting not only highlights Ross's technical skill but also serves as a testament to his broader impact on the American art landscape during the late 19th and early 20th centuries.

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Ruby
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Friedrich Meckseper
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Created:
unknown
Medium:
Oil on canvas
Dimensions:
Key Notes:
Colorful abstraction, geometric forms.
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

"Ruby," created by Friedrich Meckseper in 2008, is a contemporary painting that explores themes of consumerism and the commodification of art through its use of vibrant colors and abstract forms. The work is part of Meckseper's broader oeuvre, which often critiques the intersection of commercial culture and artistic expression, reflecting the complexities of modern visual culture.

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Still Life with Slippers and Vase
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Denman Waldo Ross
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Created:
1910
Movement:
None
Medium:
Oil on canvas
Dimensions:
24 x 30 1/4 in. (61 x 76.8 cm)
Key Notes:
Domestic tranquility, vibrant color harmony.
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Still Life with Slippers and Vase by Denman Waldo Ross

Denman Waldo Ross (1853–1935) was an influential American painter, collector, and art theorist, known for his contributions to the understanding of color theory and design principles. His painting, Still Life with Slippers and Vase (1910), exemplifies his interest in the arrangement of everyday objects to explore form and color relationships. The work is executed in oil on canvas, a medium that allows for rich texture and depth, which Ross skillfully employs to capture the interplay of light and shadow. Although Ross is primarily recognized for his theoretical writings and teaching at Harvard University, his paintings offer insight into his practical application of his theories. This particular still life reflects the early 20th-century American art movement's focus on realism and the exploration of domestic subjects. Ross's contributions to art education and his role in the establishment of the Harvard Art Museums underscore his lasting impact on the American art scene.

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View of Ghent
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Jacques François Carabain
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Created:
1860
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
22 1/4 x 30 1/4 in. (56.5 x 76.8 cm)
Key Notes:
Urban landscape, Atmospheric perspective.
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

View of Ghent by Jacques-François Carabain

View of Ghent, painted in 1860 by Jacques-François Carabain, is an exemplary work of urban landscape art, executed in oil on canvas. Carabain, a Belgian painter born in 1834, was renowned for his detailed cityscapes, capturing the architectural essence and vibrant life of 19th-century European cities. This painting reflects his meticulous attention to detail and his ability to convey the bustling atmosphere of Ghent, a city with rich historical significance. Carabain's work is noted for its precision and the way it documents the urban environment of his time, contributing to the historical understanding of city life in the 1800s. His paintings are valuable records of architectural and cultural history, offering insights into the urban development of European cities during the 19th century. Carabain's legacy is preserved through his detailed and atmospheric depictions of cityscapes, which continue to be appreciated for their historical and artistic value.

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Portrait of the Artist's Wife, Margareta Rees
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Adriaen van der Werff
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Created:
1700
Movement:
None
Medium:
Oil on canvas
Dimensions:
29 1/8 x 24 1/4 in. (73.7 x 61.6 cm)
Key Notes:
Intimate realism, Emotional depth.
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Portrait of the Artist's Wife, Margareta Rees by Adriaen van der Werff

Adriaen van der Werff (1659–1722) was a Dutch painter renowned for his refined and detailed style, which is exemplified in his 1700 work, Portrait of the Artist's Wife, Margareta Rees. This oil on canvas painting captures the elegance and poise of Margareta Rees, reflecting the artist's skill in rendering delicate textures and lifelike expressions. Van der Werff's work is significant for its contribution to the late Baroque period, characterized by its smooth finish and classical influences. The portrait not only serves as a personal testament to his relationship with his wife but also highlights the artist's mastery in portraiture, which earned him considerable acclaim during his lifetime. Van der Werff's meticulous technique and attention to detail were highly regarded, leading to his appointment as court painter to Elector Palatine Johann Wilhelm. This painting remains an important example of van der Werff's ability to blend personal intimacy with the grandeur of Baroque art.

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Still Life with Peppers
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Denman Waldo Ross
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Created:
1910
Movement:
None
Medium:
Oil on canvas
Dimensions:
20 x 24 1/4 in. (50.8 x 61.6 cm)
Key Notes:
Vibrant Color Palette, Organic Form Composition
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Still Life with Peppers by Denman Waldo Ross

Denman Waldo Ross (1853–1935) was an influential American painter, art collector, and theorist, known for his contributions to the understanding of color theory and design principles. His painting, Still Life with Peppers, created in 1910, exemplifies his interest in the formal qualities of composition and color harmony, rendered through the medium of oil on canvas.

Ross's work is significant for its exploration of the aesthetic principles that he also articulated in his writings, which have had a lasting impact on art education. As a professor at Harvard University, Ross influenced a generation of artists and designers, emphasizing the importance of structure and balance in visual art. Still Life with Peppers reflects his dedication to these principles, showcasing a meticulous arrangement of objects that invites viewers to appreciate the interplay of color and form.

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John Osborne Sargent (1811-1891)
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Hermann Schmiechen
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Created:
unknown
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
Key Notes:
Portraiture, Realism
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

John Osborne Sargent (1811-1891) by Hermann Schmiechen

The painting "John Osborne Sargent (1811-1891)" by Hermann Schmiechen is an oil on canvas work that captures the likeness of the notable American editor and lawyer, John Osborne Sargent. Schmiechen, a German portrait artist active in the late 19th century, was known for his ability to convey the character and status of his sitters through meticulous attention to detail and composition. Although the exact date of this painting's creation is unknown, it reflects the artist's adept skill in portraiture, a genre in which he excelled. Schmiechen's work is significant for its contribution to the documentation of prominent figures of the time, offering insight into the cultural and social milieu of the period. The painting not only serves as a historical record but also exemplifies the stylistic tendencies of late 19th-century portraiture, characterized by realism and a focus on individual identity. Through this work, Schmiechen's legacy as a portraitist who captured the essence of his subjects is preserved.

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Gallery of the Louvre
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Samuel Finley Breese Morse
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Created:
1831
Movement:
None
Medium:
Oil on canvas
Dimensions:
72 x 96 1/4 in. (182.9 x 244 cm)
Key Notes:
Artistic homage, American neoclassicism.
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Gallery of the Louvre by Samuel F. B. Morse

Gallery of the Louvre, painted by Samuel Finley Breese Morse in 1831, is an oil on canvas work that exemplifies the artist's dual interests in art and technology. Morse, who is also renowned for his contributions to the development of the telegraph and Morse code, captures a detailed interior view of the Louvre Museum in Paris, showcasing a collection of masterpieces within a single composition. This painting reflects Morse's ambition to educate American audiences about European art, as he meticulously included works by artists such as Leonardo da Vinci and Titian. The piece is significant for its role in bridging cultural and artistic knowledge between Europe and the United States during the 19th century. Morse's background as both an artist and an inventor underscores the interdisciplinary nature of his contributions to American culture and technology. The painting remains a testament to Morse's vision of art as a tool for education and cultural exchange.

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Still Life with Game Birds
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Jan Vonck
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Created:
unknown
Movement:
None
Medium:
Oil on canvas
Dimensions:
Key Notes:
Naturalism, Game Birds
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Still Life with Game Birds by Jan Vonck

Still Life with Game Birds is an exemplary work by the Dutch artist Jan Vonck, executed in oil on canvas. Vonck, active during the 17th century, is known for his contributions to the still life genre, particularly in the depiction of game and hunting scenes. This painting reflects the Baroque period's fascination with realism and detail, capturing the textures and colors of the game birds with remarkable precision. Vonck's work is significant for its ability to convey the abundance and opulence associated with the Dutch Golden Age. The artist's meticulous attention to detail and composition highlights the interplay between light and shadow, a hallmark of the period's artistic endeavors. Although specific biographical details about Vonck remain sparse, his paintings continue to be appreciated for their technical skill and historical context within the still life tradition.

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The Taj Mahal, Moonlit
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James Rogers Rich
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Created:
unknown
Movement:
Tonalism
Medium:
Oil on canvas
Dimensions:
Key Notes:
Moonlit Serenity, Architectural Elegance
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Taj Mahal, Moonlit by James Rogers Rich

The Taj Mahal, Moonlit is an evocative oil on canvas painting by the artist James Rogers Rich. The work captures the ethereal beauty of the Taj Mahal under the moonlight, highlighting the monument's architectural splendor and its reflection on the Yamuna River. Rich's use of light and shadow in this piece demonstrates his skill in creating atmospheric effects, which contribute to the painting's serene and contemplative mood.

James Rogers Rich, though not widely documented in art historical records, is recognized for his ability to convey the majesty of architectural subjects through his paintings. His works often reflect a deep appreciation for cultural landmarks, suggesting a possible interest in travel and exploration. The painting's historical impact lies in its ability to transport viewers to one of the world's most iconic sites, offering a visual narrative that transcends time and place.

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Bridge in a Landscape
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Gustave Courbet
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Created:
unknown
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
Key Notes:
Naturalism, Rustic tranquility.
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Bridge in a Landscape by Gustave Courbet

Bridge in a Landscape is an oil on canvas painting by the renowned French artist Gustave Courbet. Although the exact date of creation is unknown, the work exemplifies Courbet's commitment to realism, a movement he pioneered in the mid-19th century. Courbet's approach to art was revolutionary, as he sought to depict subjects from everyday life with unidealized accuracy, challenging the romanticized norms of his time. This painting, like many of his landscapes, reflects his dedication to capturing the natural world with a focus on texture and light. Courbet's influence extended beyond his own works, as he inspired future generations of artists to embrace realism and explore the social and political dimensions of art. His legacy is marked by his defiance of traditional artistic conventions and his role in shaping modern art.

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Côte des Grouettes, near Pontoise
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Camille Pissarro
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Created:
1878
Medium:
Oil on canvas
Dimensions:
29 1/8 x 23 5/8 in. (74 x 60 cm)
Key Notes:
Impressionist landscape; rural tranquility
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Côte des Grouettes, near Pontoise by Camille Pissarro

Camille Pissarro, a pivotal figure in the Impressionist movement, created "Côte des Grouettes, near Pontoise" in 1878 using oil on canvas. This work exemplifies Pissarro's dedication to capturing rural landscapes with a focus on natural light and atmosphere. The painting reflects his interest in the rural environs of Pontoise, a region he frequently depicted during his career. Pissarro's technique of using loose brushwork and a vibrant palette influenced many contemporaries and future artists. His commitment to plein air painting and the depiction of everyday scenes contributed significantly to the development of modern art. As a mentor to artists like Paul Cézanne and Paul Gauguin, Pissarro's impact extended beyond his own works, shaping the trajectory of Impressionism and Post-Impressionism.

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In the Meeting House
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William Valentine Schevill
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Created:
unknown
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
Key Notes:
Community gathering, Spiritual reflection.
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

In the Meeting House by William Valentine Schevill

In the Meeting House is an oil on canvas painting by William Valentine Schevill, an artist known for his contributions to American art in the late 19th and early 20th centuries. Although the exact date of creation for this work is unknown, Schevill's oeuvre is characterized by his adept use of light and composition, often capturing intimate and communal scenes. This painting exemplifies his skill in portraying human interaction within architectural spaces, a recurring theme in his work. Schevill was a prominent figure in the American art scene, having studied at the Cincinnati Art Academy and later in Munich, which influenced his technique and style. His works are significant for their reflection of American social settings and contribute to the understanding of cultural dynamics during his time. Schevill's legacy is preserved through his paintings, which continue to be studied for their artistic and historical value.

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Landscape with Tree and Figure
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Denman Waldo Ross
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Created:
c. 1900
Movement:
Tonalism
Medium:
Oil on canvas
Dimensions:
30 x 36 1/4 in. (76.2 x 92.1 cm)
Key Notes:
Impressionistic Nature; Solitary Figure
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Landscape with Tree and Figure by Denman Waldo Ross

Denman Waldo Ross (1853–1935) was an influential American painter, art collector, and theorist, known for his contributions to the understanding of color theory and design principles. His painting, Landscape with Tree and Figure, created circa 1900, exemplifies his interest in the harmonious arrangement of color and form, a hallmark of his artistic philosophy.

Executed in oil on canvas, this work reflects Ross's academic approach to art, emphasizing the structural elements of composition. Although Ross is primarily recognized for his theoretical writings and teaching at Harvard University, his paintings offer insight into his practical application of these theories. The painting's serene depiction of nature aligns with the broader American landscape tradition of the late 19th and early 20th centuries, contributing to the period's exploration of natural beauty and tranquility.

Ross's dual role as an artist and educator allowed him to influence a generation of artists and scholars, cementing his legacy within the American art historical canon. His work, including Landscape with Tree and Figure, continues to be studied for its methodological approach to art-making and its embodiment of early modernist tendencies.

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Seascape with Rocks
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Merton Clivette
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Created:
unknown
Movement:
Tonalism
Medium:
Oil on canvas
Dimensions:
Key Notes:
Dynamic coastal composition, Naturalistic light effects.
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Seascape with Rocks by Merton Clivette

Seascape with Rocks is an oil on canvas painting by the American artist Merton Clivette, whose exact date of creation remains unknown. Clivette, born in 1868, was a multifaceted artist known for his contributions to both the visual and performing arts. His work often reflects a dynamic interplay of color and form, characteristic of early 20th-century American modernism. Seascape with Rocks exemplifies Clivette's ability to capture the raw energy of natural landscapes, a theme prevalent in his oeuvre. Although not as widely recognized as some of his contemporaries, Clivette's work contributes to the broader narrative of American art by bridging traditional and modernist approaches. His paintings, including this seascape, continue to be studied for their unique stylistic qualities and their place within the evolution of American art.

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De Witt Clinton
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Samuel F. B. Morse
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Created:
1826
Medium:
Oil on canvas
Dimensions:
30 x 25 1/8 in. (76.2 x 63.8 cm)
Key Notes:
Portraiture, Political Figure
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

De Witt Clinton by Samuel F. B. Morse

The painting "De Witt Clinton," created in 1826 by Samuel F. B. Morse, is an exemplary work of portraiture rendered in oil on canvas. This artwork captures the likeness of De Witt Clinton, a prominent American politician known for his role in the construction of the Erie Canal. Morse, who is widely recognized for his later invention of the telegraph, was also a distinguished painter in the early 19th century. His ability to convey the stature and character of his subjects is evident in this portrait, which reflects the political and social climate of the era. The painting not only highlights Morse's artistic skill but also serves as a historical document, preserving the image of a key figure in American infrastructure development. Morse's dual legacy as both an artist and an inventor underscores his significant contributions to American culture and technology.

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The Vanity of the Artist's Dream
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Charles Bird King
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Created:
unknown
Movement:
None
Medium:
Oil on canvas
Dimensions:
Key Notes:
Self-reflection, Artistic aspiration.
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

The Vanity of the Artist's Dream by Charles Bird King

The Vanity of the Artist's Dream is an oil on canvas painting by Charles Bird King, an American artist known for his portraits and still lifes. Although the exact date of creation is unknown, the work reflects King's adeptness in capturing intricate details and his fascination with themes of introspection and ambition. King, born in 1785, studied under the renowned artist Benjamin West in London, which significantly influenced his artistic development. His works often explore the tension between reality and aspiration, a theme evident in this painting. King's contributions to American art are notable, particularly his portraits of Native American leaders, which provide valuable historical insights. The painting exemplifies King's skill in composition and his ability to convey complex narratives through visual art.

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Edward Everett (1794-1865)
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Bass Otis
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Created:
1835
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
30 x 25 1/4 in. (76.2 x 64.1 cm)
Key Notes:
Portraiture, Historical Significance
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Edward Everett (1794-1865) by Bass Otis

The painting "Edward Everett (1794-1865)" by Bass Otis, created in 1835, is an exemplary work of portraiture from the early 19th century, executed in oil on canvas. This portrait captures Edward Everett, a prominent American statesman and orator, reflecting the artist's skill in rendering both likeness and character. Bass Otis, an American painter born in 1784, was known for his portraits and contributions to the development of lithography in the United States. His work is significant for its role in documenting influential figures of his time, providing a visual record of American history. The painting of Everett is notable for its attention to detail and the dignified representation of its subject, which was characteristic of Otis's style. Otis's portraits are valued for their historical importance and their contribution to the American artistic landscape of the 19th century.

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A Pastoral Landscape
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Pieter Mulier the Younger, called Tempesta
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Created:
unknown
Movement:
None
Medium:
Oil on canvas
Dimensions:
24 x 36 1/4 in. (61 x 92 cm)
Key Notes:
Dramatic Atmosphere, Lush Nature
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

A Pastoral Landscape by Pieter Mulier the Younger

"A Pastoral Landscape" is an oil on canvas painting by Pieter Mulier the Younger, also known as Tempesta. Mulier was an influential figure in the Baroque period, known for his dynamic landscapes and dramatic use of light and shadow. This particular work exemplifies his ability to capture the serene beauty of the countryside, a common theme in his oeuvre. Mulier's style was heavily influenced by his time in Italy, where he absorbed the techniques of Italian masters. His works contributed to the spread of Baroque landscape painting across Europe. Despite the lack of a specific creation date, "A Pastoral Landscape" remains a testament to Mulier's skill in blending naturalism with the theatrical elements characteristic of the Baroque era.

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Edmund Bigelow; verso: Portrait of a Seated Woman with Book
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Denman Waldo Ross
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Created:
c. 1900
Movement:
None
Medium:
Oil on canvas
Dimensions:
Key Notes:
Intimate portraiture; contemplative figure.
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Denman Waldo Ross: "Edmund Bigelow; verso: Portrait of a Seated Woman with Book"

The painting "Edmund Bigelow; verso: Portrait of a Seated Woman with Book," created circa 1900 by Denman Waldo Ross, is an exemplary work of oil on canvas that reflects the artist's academic approach to portraiture. Ross, an influential figure in the American art scene, was not only a painter but also a prominent art collector and theorist. His contributions to the field extended beyond his own artistic practice, as he was a significant benefactor and lecturer at Harvard University. The dual-sided nature of this painting highlights Ross's interest in exploring different facets of human character and expression. This work is notable for its meticulous attention to detail and the subtle interplay of light and shadow, characteristic of Ross's style. As a historical artifact, it provides insight into the cultural and artistic milieu of the early 20th century in America.

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Samuel Dexter (1726-1810),  after John Johnston
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James Frothingham
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Created:
unknown
Movement:
None
Medium:
Oil on canvas
Dimensions:
Key Notes:
Portraiture, Early American Identity
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Samuel Dexter (1726-1810) by James Frothingham

The painting "Samuel Dexter (1726-1810), after John Johnston" by James Frothingham is an oil on canvas work that reflects the portraiture style of the early 19th century. Frothingham, an American artist, was known for his adeptness in capturing the likeness and character of his subjects, often drawing inspiration from earlier works by other artists, such as John Johnston. This particular painting serves as a testament to the enduring legacy of Samuel Dexter, a prominent figure in American history, and highlights Frothingham's skill in adapting and reinterpreting existing portraits. The work contributes to the preservation of historical figures through art, offering insight into the visual culture of the period. Frothingham's career was marked by his ability to blend traditional techniques with a personal touch, making his portraits both historically significant and artistically valuable. His contributions to American portraiture remain appreciated for their attention to detail and historical fidelity.

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Genre Scenes in Kyoto: Autumn (Kanpu itteki: aki)
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Maruyama Ōkyo 円山応挙
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Created:
unknown
Movement:
None
Medium:
Ink and color on paper
Dimensions:
Key Notes:
Autumn Landscape, Kyoto Genre Scene
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Genre Scenes in Kyoto: Autumn (Kanpu itteki: aki) by Maruyama Ōkyo

The painting "Genre Scenes in Kyoto: Autumn (Kanpu itteki: aki)" by Maruyama Ōkyo is a notable example of the artist's innovative approach to traditional Japanese painting. Created using ink and color on paper, this work exemplifies Ōkyo's skill in blending realism with the stylistic elements of the Edo period. Maruyama Ōkyo (1733–1795) was a pivotal figure in Japanese art, known for founding the Maruyama school, which emphasized naturalism and detailed observation. His works often depicted everyday life and landscapes, contributing significantly to the development of genre painting in Japan. The painting captures the essence of autumn in Kyoto, reflecting Ōkyo's keen eye for seasonal changes and atmospheric effects. This piece is an important representation of Ōkyo's legacy, illustrating his influence on subsequent generations of Japanese artists.

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Francis Parkman (1788-1852)
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Chester Harding
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Created:
unknown
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
Key Notes:
Portraiture, Historical Representation
story of the work:

We have not been able to find much information about this work, or we believe the information we sourced needed more review.

Francis Parkman (1788-1852) by Chester Harding

The painting "Francis Parkman (1788-1852)" by Chester Harding is an oil on canvas work that captures the likeness of the notable American historian and author. Chester Harding (1792-1866) was a prominent portrait artist in the 19th century, known for his ability to convey the character and stature of his subjects. Harding's work is significant for its contribution to American portraiture, capturing key figures of his time with a refined and realistic style. This particular painting holds historical importance as it immortalizes Francis Parkman, a figure renowned for his writings on the American wilderness and Native American history. Harding's portraits are valued for their meticulous attention to detail and the way they reflect the cultural and historical context of the era. The artist's legacy is marked by his extensive body of work, which includes portraits of several influential American figures.

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Wagtail on a Rock
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Tachihara Kyōsho 立原杏所
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Created:
unknown
Movement:
None
Medium:
Ink on paper
Dimensions:
Key Notes:
Naturalism, Avian Elegance
story of the work:

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Wagtail on a Rock by Tachihara Kyosho

"Wagtail on a Rock" is a notable work by the artist Tachihara Kyosho, executed using ink on paper. This painting exemplifies the traditional Japanese ink painting technique, which emphasizes simplicity and the expressive use of brushstrokes. The depiction of the wagtail, a common bird in East Asian art, reflects the artist's keen observation of nature and its symbolic significance in Japanese culture. Although specific biographical details about Tachihara Kyosho remain scarce, the artist is recognized for contributing to the Edo period's rich artistic landscape. The work's historical impact lies in its representation of the harmonious relationship between nature and art, a central theme in Japanese aesthetics. "Wagtail on a Rock" continues to be appreciated for its delicate execution and its embodiment of the principles of Japanese ink painting.

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Sir Benjamin Thompson, later Count Rumford (1753-1814)
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Thomas Gainsborough
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Created:
unknown
Movement:
None
Medium:
Oil on canvas
Dimensions:
Key Notes:
Portraiture and Enlightenment.
story of the work:

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Sir Benjamin Thompson, later Count Rumford by Thomas Gainsborough

The painting "Sir Benjamin Thompson, later Count Rumford" by Thomas Gainsborough is an exemplary work of portraiture, executed in oil on canvas. Gainsborough, a prominent 18th-century British artist, is renowned for his ability to capture the character and status of his sitters with remarkable sensitivity and elegance. This portrait of Sir Benjamin Thompson, who later became Count Rumford, reflects Gainsborough's mastery in rendering texture and light, particularly evident in the detailed depiction of clothing and the sitter's expression. Thompson was a notable figure, recognized for his contributions to science and military strategy, which adds historical significance to the artwork. Gainsborough's work is celebrated for its contribution to the development of British portraiture, influencing subsequent generations of artists. The painting not only serves as a historical document but also as a testament to Gainsborough's enduring legacy in the art world.

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Alvan Clark (1804-1887)
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George Hollingsworth
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Created:
unknown
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
Key Notes:
Portraiture, Astronomical Legacy
story of the work:

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Alvan Clark (1804-1887) by George Hollingsworth

The painting "Alvan Clark (1804-1887)" by George Hollingsworth is an oil on canvas work that captures the likeness of the renowned American telescope maker, Alvan Clark. Although the exact date of creation is unknown, the portrait is significant for its depiction of a key figure in the field of astronomy during the 19th century. George Hollingsworth, an American artist active in the 19th century, is known for his portraiture, which often focused on prominent figures of his time. This work exemplifies Hollingsworth's skill in capturing the character and stature of his subjects through meticulous attention to detail and composition. The painting not only serves as a visual record of Alvan Clark but also reflects the broader cultural interest in scientific advancement during the period. Hollingsworth's contribution to American art lies in his ability to document influential personalities, thereby providing insight into the historical context of his era.

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Fredolf Jacobson
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Denman Waldo Ross
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Created:
c. 1900
Movement:
None
Medium:
Oil on canvas
Dimensions:
Key Notes:
Portraiture, Impressionistic brushwork.
story of the work:

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Fredolf Jacobson by Denman Waldo Ross

The painting titled "Fredolf Jacobson," created circa 1900 by Denman Waldo Ross, is an exemplary work executed in oil on canvas. Ross, an influential figure in the American art scene, was not only a painter but also a prominent art collector and theorist. His contributions to the field extended beyond his artistic creations, as he was a significant educator at Harvard University, where he taught design and art theory. The painting "Fredolf Jacobson" reflects Ross's interest in color theory and composition, elements he emphasized in his teachings. Although not widely known for his paintings, Ross's impact on art education and his role in shaping the collections of the Museum of Fine Arts, Boston, are noteworthy. This work exemplifies his dedication to exploring the interplay of color and form, which was central to his artistic philosophy.

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Benjamin Clark (1776-1863)
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Asahel Lynde Powers
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Created:
unknown
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
Key Notes:
Realistic portraiture, American identity
story of the work:

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Benjamin Clark (1776-1863) by Asahel Lynde Powers

The painting "Benjamin Clark (1776-1863)" by Asahel Lynde Powers is an exemplary work of American folk art, created using oil on canvas. Powers, an itinerant portrait artist active in the 19th century, is known for his ability to capture the essence of his subjects with a straightforward and honest style. This particular portrait reflects the artist's skill in rendering detailed facial expressions and clothing, providing insight into the fashion and demeanor of the period. Asahel Lynde Powers (1813-1843) was largely self-taught, and his works are significant for their contribution to the documentation of American life and individuals during his time. The painting of Benjamin Clark is a testament to Powers' role in the broader narrative of American portraiture, offering a glimpse into the personal histories of the era. Powers' work remains an important part of American art history, celebrated for its authenticity and historical value.

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Saint Jerome
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Jusepe de Ribera
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Created:
1626
Movement:
Baroque
Medium:
Oil on canvas
Dimensions:
24 1/4 x 18 1/8 in. (61.6 x 46 cm)
Key Notes:
Tenebrism, Scholarly Contemplation
story of the work:

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Saint Jerome by Jusepe de Ribera

Saint Jerome, painted by Jusepe de Ribera in 1626, is a significant example of the Spanish Baroque style, characterized by its dramatic use of light and shadow. Ribera, a prominent figure in the Spanish and Neapolitan art scenes, was known for his realistic depictions and intense emotional expressions. This work exemplifies Ribera's mastery in portraying religious figures with a sense of human vulnerability and divine contemplation. The painting's use of chiaroscuro highlights Saint Jerome's ascetic features, emphasizing the spiritual intensity of the subject. Ribera's influence extended beyond Spain, impacting the development of Baroque art in Italy, where he spent much of his career. His works, including Saint Jerome, continue to be studied for their technical brilliance and emotional depth.

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Lake Louise
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Aldro Thompson Hibbard
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Created:
1924
Movement:
Tonalism
Medium:
Oil on canvas
Dimensions:
30 x 36 1/4 in. (76.2 x 92.1 cm)
Key Notes:
"Serene Landscape" and "Impressionistic Light"
story of the work:

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Lake Louise by Aldro Thompson Hibbard (1924)

Lake Louise, painted by Aldro Thompson Hibbard in 1924, is an exemplary work of early 20th-century American landscape painting. Hibbard, known for his adept use of oil on canvas, captures the serene beauty of the Canadian Rockies with a masterful application of color and light. This painting reflects Hibbard's commitment to plein air painting, a technique he honed during his studies at the Boston Museum School and his travels in Europe. Hibbard's work is significant for its contribution to the American Impressionist movement, particularly in how it conveys the natural splendor of North American landscapes. His paintings, including Lake Louise, are celebrated for their dynamic compositions and atmospheric depth. Hibbard's legacy endures through his influence on subsequent generations of landscape artists and his role in founding the Rockport Art Association in Massachusetts.

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La Porte d'Amont, Étretat
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Claude Monet
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Created:
1883
Medium:
Oil on canvas
Dimensions:
39 3/8 x 32 1/4 in. (100 x 82 cm)
Key Notes:
Impressionistic seascape, Natural coastal arch.
story of the work:

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La Porte d'Amont, Étretat by Claude Monet

La Porte d'Amont, Étretat, painted by Claude Monet in 1883, is an exemplary work of the Impressionist movement, showcasing Monet's fascination with natural light and atmospheric conditions. This oil on canvas captures the dramatic cliffs of Étretat, a location that Monet visited frequently, drawn by its unique geological formations and the play of light on the sea and rocks. The painting is significant for its dynamic brushwork and vibrant color palette, which convey the transient effects of light and weather, hallmarks of Monet's style. Monet's work at Étretat is part of a broader series that reflects his dedication to capturing the essence of a scene through multiple perspectives and varying conditions. As a leading figure in Impressionism, Monet's innovative techniques and focus on natural landscapes have had a lasting impact on the development of modern art. His works continue to be celebrated for their ability to evoke emotion and capture the fleeting beauty of nature.

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Gloucester Harbor at Sunset
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Fitz Henry Lane
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Created:
1850
Movement:
Tonalism
Medium:
Oil on canvas
Dimensions:
30 x 50 1/4 in. (76.2 x 127.6 cm)
Key Notes:
Maritime tranquility, luminous sunset.
story of the work:

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Gloucester Harbor at Sunset by Fitz Henry Lane

Gloucester Harbor at Sunset, painted by Fitz Henry Lane in 1850, is a quintessential example of the Luminist style, characterized by its attention to light and atmosphere. Lane, an American painter known for his maritime scenes, captures the serene beauty of the harbor with meticulous detail and a tranquil palette. This work exemplifies Lane's mastery in depicting the interplay of light and water, a hallmark of his artistic oeuvre. Born in 1804 in Massachusetts, Lane's career flourished in the mid-19th century, contributing significantly to the American Luminism movement. His paintings are celebrated for their precise realism and atmospheric effects, influencing subsequent generations of landscape artists. Lane's work remains a vital part of American art history, offering insights into the maritime culture of his time.

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Miss Maud Franklin
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James McNeill Whistler
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Created:
1884
Movement:
Tonalism
Medium:
Oil on canvas
Dimensions:
30 1/4 x 25 1/4 in. (76.2 x 64.1 cm)
Key Notes:
"Portrait of a Woman" and "Subtle Color Harmony."
story of the work:

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Miss Maud Franklin by James McNeill Whistler

James McNeill Whistler, an influential American artist, created the painting "Miss Maud Franklin" in 1884 using oil on canvas. This work is a testament to Whistler's mastery of portraiture and his ability to capture the subtle nuances of his subjects. Maud Franklin, Whistler's muse and partner, is depicted with a sense of intimacy and elegance, reflecting the personal connection between the artist and the sitter. Whistler's innovative approach to composition and color harmony in this painting exemplifies his contribution to the Aesthetic Movement, which emphasized art for art's sake. The painting also highlights Whistler's departure from traditional Victorian portraiture, showcasing his unique style that influenced future generations of artists. Whistler's work, including "Miss Maud Franklin," remains significant in art history for its role in challenging and redefining artistic conventions of the time.

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Soap Works, Mystic River
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Denman Waldo Ross
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Created:
c. 1900
Movement:
Precisionism
Medium:
Oil on canvas
Dimensions:
30 x 40 1/4 in. (76.2 x 102.2 cm)
Key Notes:
Industrial landscape, atmospheric light.
story of the work:

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Soap Works, Mystic River by Denman Waldo Ross

"Soap Works, Mystic River", created circa 1900 by Denman Waldo Ross, is an oil on canvas painting that exemplifies the artist's interest in capturing industrial landscapes. Ross, an influential figure in the American art scene, was not only a painter but also a prominent art collector and theorist. His work often reflects a keen observation of light and atmosphere, characteristics that are evident in this particular piece. The painting holds historical significance as it documents the industrial era's impact on the American landscape, particularly in the Mystic River area. Ross's contributions to art theory and education, notably through his association with Harvard University, have left a lasting impact on the study and appreciation of art. His dual role as an artist and educator helped bridge practical art-making with academic art theory.

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Ronda, Spain
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Denman Waldo Ross
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Created:
c. 1900
Movement:
None
Medium:
Oil on canvas
Dimensions:
Key Notes:
Vibrant Landscape, Spanish Architecture
story of the work:

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Denman Waldo Ross: "Ronda, Spain" (c. 1900)

The painting "Ronda, Spain" by Denman Waldo Ross, created around 1900, is an oil on canvas that captures the picturesque landscape of the Andalusian town. Ross, an influential figure in the American art scene, was known for his contributions as both an artist and a theorist. His work often reflected his interest in color theory and composition, which he also taught as a professor at Harvard University. "Ronda, Spain" exemplifies his ability to blend academic rigor with artistic expression, showcasing his skill in capturing light and atmosphere. Although Ross is primarily recognized for his theoretical writings, his paintings, such as this one, offer valuable insights into his practical application of his theories. The painting contributes to the broader understanding of American artists' engagement with European landscapes during this period.

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Seven-Peaks, Guadarrama
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Joaquín Sorolla y Bastida
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Created:
1915
Medium:
Oil on canvas
Dimensions:
39 1/4 x 78 3/4 in. (99.7 x 200 cm)
Key Notes:
Light and Landscape.
story of the work:

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Seven Peaks, Guadarrama by Joaquín Sorolla y Bastida

Seven Peaks, Guadarrama, painted in 1915 by Joaquín Sorolla y Bastida, exemplifies the artist's mastery of capturing natural light and landscape. This oil on canvas work reflects Sorolla's deep connection to the Spanish countryside, particularly the Guadarrama mountain range. Sorolla, a prominent figure in Spanish Impressionism, was renowned for his ability to convey the vibrancy and atmosphere of his native land. The painting is significant for its dynamic brushwork and vivid color palette, which are characteristic of Sorolla's mature style. Sorolla's work, including this piece, played a crucial role in the development of modern Spanish art, influencing subsequent generations of artists. His dedication to plein air painting and his focus on natural scenes contributed to a broader appreciation of landscape art in the early 20th century.

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The Hallowell House, South Yarmouth, Massachusetts
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Denman Waldo Ross
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Created:
1910
Movement:
Tonalism
Medium:
Oil on canvas
Dimensions:
30 x 36 1/4 in. (76.2 x 92.1 cm)
Key Notes:
New England Landscape, Architectural Harmony
story of the work:

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The Hallowell House, South Yarmouth, Massachusetts by Denman Waldo Ross

Denman Waldo Ross (1853–1935) was an influential American painter, art collector, and theorist, known for his contributions to the understanding of color theory and design principles. His painting, The Hallowell House, South Yarmouth, Massachusetts, created in 1910, exemplifies his interest in capturing the serene and picturesque landscapes of New England.

Executed in oil on canvas, the work reflects Ross's academic approach to art, emphasizing structure and harmony. The painting is significant for its depiction of early 20th-century American architecture and landscape, offering insight into the cultural and historical context of the period. Ross's contributions to art education, particularly through his association with Harvard University, where he taught, have left a lasting impact on the study and appreciation of art in the United States.

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Le Marché aux Bestiaux, Dieppe
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Walter Sickert
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Created:
1902
Medium:
Oil on canvas
Dimensions:
24 x 30 1/4 in. (61 x 76.2 cm)
Key Notes:
Market Scene, Atmospheric Composition
story of the work:

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Walter Sickert's "Le Marché aux Bestiaux, Dieppe" (1902)

"Le Marché aux Bestiaux, Dieppe" is an oil on canvas painting created by Walter Sickert in 1902. This work exemplifies Sickert's interest in capturing everyday scenes with a focus on the interplay of light and shadow, a hallmark of his style. The painting reflects Sickert's connection to the Impressionist movement, particularly through his use of color and loose brushwork. Sickert, a prominent figure in the transition from Impressionism to Modernism, often depicted urban life and its nuances, which is evident in this portrayal of a bustling livestock market in Dieppe. His work had a significant impact on British art, influencing the Camden Town Group and later artists. Sickert's ability to convey atmosphere and mood in his paintings continues to be celebrated in art historical discourse.

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Portrait of a Seated Young Boy with Hands Clasped Around Legs
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Denman Waldo Ross
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Created:
c. 1900
Movement:
Realism
Medium:
Oil on canvas
Dimensions:
Key Notes:
Intimate Childhood Reflection, Naturalistic Composition
story of the work:

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Portrait of a Seated Young Boy with Hands Clasped Around Legs

The painting "Portrait of a Seated Young Boy with Hands Clasped Around Legs" by Denman Waldo Ross, created circa 1900, is an exemplary work of oil on canvas. Ross, an influential figure in the American art scene, was not only a painter but also a prominent art collector and theorist. His contributions to the field extended beyond his own artistic creations, as he played a significant role in shaping art education through his association with Harvard University. This particular portrait reflects Ross's interest in capturing the introspective and contemplative nature of his subjects. The work is notable for its subtle use of color and light, which enhances the emotional depth of the young boy's pose. Ross's legacy is further cemented by his extensive donations of art to institutions, which have enriched public collections and fostered greater appreciation for diverse artistic expressions.

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Rockport, Massachusetts
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Hardesty Gilmore Maratta
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Created:
unknown
Movement:
Tonalism
Medium:
Oil on canvas
Dimensions:
Key Notes:
Coastal Landscape, Impressionistic Light
story of the work:

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Rockport, Massachusetts by Hardesty Gilmore Maratta

The painting titled Rockport, Massachusetts by Hardesty Gilmore Maratta is an evocative representation of the coastal town, executed in oil on canvas. Maratta, an artist known for his contributions to the American Impressionist movement, captures the serene beauty and vibrant atmosphere of Rockport with a masterful use of color and light. His work is characterized by a keen attention to the interplay of natural elements, which is evident in this piece. Although the exact date of creation is unknown, the painting reflects the early 20th-century American art scene's fascination with plein air painting and regional landscapes. Maratta's influence extends beyond his paintings; he is also recognized for developing the Maratta color system, which sought to harmonize color theory with artistic practice. This painting not only showcases Maratta's technical skill but also contributes to the broader appreciation of American Impressionism and its regional expressions.

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